{"id":6914,"date":"2022-06-27T19:11:38","date_gmt":"2022-06-27T17:11:38","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=6914"},"modified":"2025-08-10T23:54:14","modified_gmt":"2025-08-10T21:54:14","slug":"sean-silva","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/sean-silva\/","title":{"rendered":"Rencontre avec Sean SILVA C\u00e9ramiste portugais \u00e0 Caldas da Rainha"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Sean<\/figure>
\n

<\/p>\n\n\n\n

Sean SILVA et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1986-)<\/p>\n\n\n\n

N\u00e9 \u00e0 Toronto, au Canada, il est arriv\u00e9 au Portugal tr\u00e8s jeune. Maintenant, il vit \u00e0 Caldas da Rainha, pr\u00e8s de Leiria, au nord de Lisbonne.<\/p>\n\n\n\n

\u00ab\u00a0Je ne me suis jamais senti oblig\u00e9 d’\u00eatre d\u00e9fini ou ressenti le besoin d’\u00eatre appel\u00e9 par un nom sp\u00e9cifique. Mais peut-\u00eatre que je me sens plus \u00e0 l’aise d’\u00eatre d\u00e9fini comme un potier car mon travail s’est concentr\u00e9 sur les articles fonctionnels.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Dans la poterie, j’ai trouv\u00e9 un \u00e9quilibre entre diff\u00e9rentes exp\u00e9riences. Pour moi, la poterie incorpore presque tous les \u00e9l\u00e9ments de l’existence humaine. La partie physique et la partie spirituelle, la conscience et l’inconscient.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0J’ai d\u00e9couvert la c\u00e9ramique pour la premi\u00e8re fois, \u00e0 l’universit\u00e9 lorsque j’\u00e9tudiais le design industriel \u00e0 l’ESAD de Caldas da Rainha. Nous avons eu une s\u00e9ance d’introduction avec un ma\u00eetre potier appel\u00e9 Armindo REIS (1926-2012), depuis ce temps, l’argile a lentement commenc\u00e9 \u00e0 attirer mon attention.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0La poterie m’est venue plus tard dans la vie. Pendant plusieurs ann\u00e9es, j’ai toujours pens\u00e9 \u00e0 essayer le tour de potier et \u00e0 regarder la poterie japonaise sur Internet. Alors la curiosit\u00e9 grandissait secr\u00e8tement et j’implantais ces images dans mon subconscient.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’ai la chance de vivre \u00e0 Caldas da Rainha, une ville tr\u00e8s tourn\u00e9e vers la c\u00e9ramique et qui accueille le Cencal<\/mark><\/a> (Centro de Forma\u00e7\u00e3o Profissional para a Ind\u00fastria Cer\u00e2mica) Centre de formation professionnelle pour l’industrie de la c\u00e9ramique. Cette \u00e9cole est connue pour enseigner la c\u00e9ramique, pour avoir d’excellents ma\u00eetres potiers, c\u00e9ramistes et professionnels li\u00e9s \u00e0 l’industrie de la c\u00e9ramique.\u00a0\u00bb<\/p>\n<\/div>

\"Sean<\/figure><\/div>\n\n\n\n
\"Sean<\/figure>
\n

<\/p>\n\n\n\n

\u00ab\u00a0J’ai assist\u00e9 \u00e0 des ateliers pour acqu\u00e9rir les comp\u00e9tences de base sur le tour de potier. Apr\u00e8s cela, j’ai \u00e9t\u00e9 mis sur la voie du travail avec l’argile. J’ai eu beaucoup de ma\u00eetres, certains sont vivants, d’autres seuls leur travail reste ici mais cela a \u00e9t\u00e9 un chemin presque autodidacte avec des essais et des erreurs.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0L’impression que mon travail est une cons\u00e9quence de mon attirance pour la poterie japonaise et cor\u00e9enne. J’ai trouv\u00e9 beaucoup d’inspiration dans la poterie traditionnelle fabriqu\u00e9e par des potiers ici au Portugal, en particulier le c\u00f4t\u00e9 brut des pi\u00e8ces. Je ne sais pas s’il existe une d\u00e9finition du style de poterie que je fais. C’est l’amalgame de mon observation et de mon exp\u00e9rience, une recherche constante d’expression.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Mon intention est de r\u00e9aliser des pi\u00e8ces qui peuvent cr\u00e9er des moments de silence entre l’utilisateur et l’objet. Tout comme lorsque vous vous promenez dans les bois et que vous vous sentez attir\u00e9 par cela, mais que vous ne pouvez pas expliquer ce qui vous pousse \u00e0 \u00eatre en silence et en communion avec l’environnement qui vous entoure.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0La poterie m’a donn\u00e9 ce sens de l’\u00e9quilibre, cette intimit\u00e9 que l’on rencontre parfois dans la nature. Mon inspiration est d’essayer de cr\u00e9er cette exp\u00e9rience aussi souvent que possible.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’utilise un four \u00e0 gaz que j’ai construit. Il y a des p\u00e9riodes o\u00f9 je mets du bois dans le four \u00e0 gaz. Le bois que j’utilise provient des for\u00eats d’eucalyptus et de pins pr\u00e8s de chez moi.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’essaie de faire deux cuissons par mois. comme j’ai un petit four, cela me permet de cuire tr\u00e8s souvent et me donne l’opportunit\u00e9 d’exp\u00e9rimenter de nouvelles pi\u00e8ces et techniques.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’aime faire des bols et donc normalement je commence par ceux-l\u00e0. C’est presque comme faire un \u00e9chauffement pour d’autres pi\u00e8ces. Sinon, je fais ce que ma curiosit\u00e9 m’appelle. J’utilise principalement la gla\u00e7ure Shino et la cendre, pour mes pi\u00e8ces.\u00a0\u00bb<\/p>\n<\/div>

\"Sean<\/figure><\/div>\n\n\n\n
\"Sean<\/figure>
\n

<\/p>\n\n\n\n

\u00ab\u00a0Les cuissons vont de 9 \u00e0 16 heures, selon ce que je cherche \u00e0 r\u00e9aliser. \u00c0 chaque cuisson, j’ai toujours des surprises, mais normalement je me donne quelques jours pour regarder le travail avec un \u0153il neuf. J’ai l’impression que l’excitation initiale de l’ouverture du four enl\u00e8ve la s\u00e9r\u00e9nit\u00e9 de voir les d\u00e9tails subtils qui sortent parfois du four.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Je vois la vie comme un tout, donc ma relation avec la c\u00e9ramique fait partie de la vie et d’un mode de vie. On peut dire que ma relation avec tous ces \u00e9l\u00e9ments est en constante mutation, qu’ils ont le pouvoir de transformer une personne \u00e0 diff\u00e9rents niveaux et j’apprends constamment avec eux.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’ai le sentiment que la transmission du savoir est vitale et intrins\u00e8que \u00e0 la condition humaine. La transmission des connaissances est ce qui nous fait \u00eatre en mouvement et en \u00e9volution constants. Je suis qui je suis gr\u00e2ce \u00e0 toutes les connaissances qui m’ont \u00e9t\u00e9 transmises.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0Je ne peux pas penser \u00e0 des dates concr\u00e8tes qui ont compt\u00e9 dans ma vie de potier. Ma vie est un processus constant, m\u00eame si je n’ai jamais r\u00eav\u00e9 d’\u00eatre potier.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Avec le recul, la vie m’a pouss\u00e9 \u00e0 travailler l’argile d’une mani\u00e8re que je n’aurais jamais imagin\u00e9e. J’ai encore une image fra\u00eeche dans mon esprit de la premi\u00e8re fois o\u00f9 j’ai vu un potier sur un tour \u00e0 pied lors d’un \u00e9v\u00e9nement scolaire.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’avais probablement 14 ans quand j’ai vu pour la premi\u00e8re fois un potier travailler sur le tour. Il m’a sembl\u00e9 \u00e0 l’\u00e9poque qu’il \u00e9tait dans un autre monde, que tout ce bruit de gamins qui couraient, certains jouaient, d’autres le regardaient et chuchotaient ne le d\u00e9rangeait pas.\u00a0\u00bb<\/p>\n<\/div>

\"Tasse<\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n

Source des photos et des textes : Sean SILVA et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Sean SILVA et ses cr\u00e9ations (1986-) N\u00e9 \u00e0 Toronto, au Canada, il est arriv\u00e9 au Portugal tr\u00e8s jeune. 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