{"id":5686,"date":"2022-05-06T13:41:55","date_gmt":"2022-05-06T11:41:55","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=5686"},"modified":"2025-08-10T22:32:24","modified_gmt":"2025-08-10T20:32:24","slug":"mael-amemiya-lombard","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/mael-amemiya-lombard\/","title":{"rendered":"Rencontre avec Ma\u00ebl AMEMIYA LOMBARD C\u00e9ramiste fran\u00e7ais \u00e0 Gaillac"},"content":{"rendered":"
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\"Mae\u0308l<\/figure>
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<\/p>\n\n\n\n

Ma\u00ebl AMEMIYA LOMBARD et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1985-)<\/p>\n\n\n\n

Originaire de Bretagne, \u00e0 Rennes o\u00f9 il a grandi. Il est Breton par son p\u00e8re et Japonais par sa m\u00e8re. Il vit \u00e0 Gaillac, pr\u00e8s de Toulouse o\u00f9 Il a cr\u00e9\u00e9 l’Atelier Y\u016bgen avec sa compagne de vie, Lisa BOMBIN.<\/p>\n\n\n\n

Il se d\u00e9finit, en toute simplicit\u00e9, comme un Potier Cuiseur. Il fa\u00e7onne des pots et les cuits.<\/p>\n\n\n\n

Il a d\u00e9couvert la c\u00e9ramique d’Echizen-yaki<\/mark><\/a>, pour la premi\u00e8re fois dans la pr\u00e9fecture de Fukui<\/mark><\/a>. Ce type de c\u00e9ramique fait partie des Six Anciens Fours du Japon<\/mark><\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0Victoria BENGOL\u00c9A<\/mark><\/a>, c\u00e9ramiste argentine, me met les mains dans la terre \u00e0 Paris. Un mardi, je vais \u00e0 son cours et c\u2019est l\u00e0 que je comprends que la suite se passerait au Japon. Elle venait de r\u00e9veiller le potier japonais qui sommeillait en moi.<\/p>\n\n\n\n

Pendant Le voyage au Japon, je rencontre l\u2019imperfection. Origuchi san, un potier japonais de Bizen<\/mark><\/a>, me montre des chawan tordus, des vases poreux, des poteries craqu\u00e9es. C\u2019est une surprise qui petit \u00e0 petit va se r\u00e9v\u00e9ler.<\/p>\n\n\n\n

Je d\u00e9couvre l\u2019esth\u00e9tique du Wabi-Sabi<\/mark> et le Kintsugi. Cela m\u2019emplit enti\u00e8rement et je sens une motivation. Je sens que le chemin, la voie est l\u00e0. Cela r\u00e9veille le spirituel en moi : mes mains allaient rentrer en parfait accord avec mon esprit. L\u2019esprit du Mingei<\/mark><\/a> finirai de me combler. Kato sensei m\u2019enseigne le tour \u00e0 Tokyo. J\u2019y reste une ann\u00e9e o\u00f9 je parfais ma technique au tour.\u00a0\u00bb<\/p>\n<\/div>

\"Mae\u0308l<\/figure><\/div>\n\n\n\n
\"Mae\u0308l<\/figure>
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<\/p>\n\n\n\n

\u00ab\u00a0En Cor\u00e9e, Shin Son Seng Min me plonge dans la vie d\u2019un potier \u00e0 Goheung<\/mark><\/a>. J\u2019observe alors la rigueur, la simplicit\u00e9 et l\u2019honn\u00eatet\u00e9 de la poterie cor\u00e9enne. Je cuis sur un four Noborigama. J\u2019avais conscience de vivre quelque chose d\u2019incroyable. Je sentais dans cette exp\u00e9rience toute la tradition cor\u00e9enne autour de la poterie qui se transmet de p\u00e8re en fils depuis des g\u00e9n\u00e9rations.<\/p>\n\n\n\n

De retour en France, j\u2019assiste Riz\u00fc TAKAHASHI dans ses enfournements et ses cuissons sur son four Anagama. Cela m\u2019initie, ann\u00e9e apr\u00e8s ann\u00e9e, \u00e0 la subtilit\u00e9 et la beaut\u00e9 des cuissons au bois. \u00ab Si tu peux cuire sur mon four, alors tu pourras cuire sur tous les fours \u00bb aime-t-il dire.<\/p>\n\n\n\n

Je d\u00e9finis le style de poterie que je r\u00e9alise comme intemporelle et m\u2019inspire de tout ce qui peut caract\u00e9riser une beaut\u00e9 simple.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0J\u2019utilise le four anagama de Riz\u00fc et je suis en train de construire mon four Anagama. Les cuissons au bois sont complexes et n\u00e9cessitent un savoir-faire particulier, surtout avec du bois bien sec !<\/p>\n\n\n\n

Par ailleurs, j\u2019utilise aussi un four \u00e0 gaz pour sa simplicit\u00e9 et rapidit\u00e9 d\u2019utilisation. Il est tr\u00e8s utile pour tester les \u00e9maux. Je cuis autant que j\u2019ai de pi\u00e8ces \u00e0 cuire et les cuissons r\u00e9v\u00e8lent toujours des surprises. C\u2019est le sel de notre passion.<\/p>\n\n\n\n

J\u2019utilise des \u00e9maux de cendres, des \u00e9maux \u00e0 base de min\u00e9raux de tout ce que je peux r\u00e9duire en poudre. Je me laisse guider par mes envies et ne me limite en rien. Pour l\u2019instant, je ne donne pas de cours. La transmission est importante mais je n\u2019en suis pas \u00e0 cette \u00e9tape. Je continu d\u2019apprendre. Je d\u00e9finis ma relation \u00e0 la c\u00e9ramique comme infiniment nourrissante. Pour tout ce qu\u2019elle m\u2019apporte, je suis pr\u00eat \u00e0 lui consacrer mon \u00e9nergie.\u00a0\u00bb<\/p>\n<\/div>

\"Mae\u0308l<\/figure><\/div>\n\n\n\n
\"Mae\u0308l<\/figure>
\n

<\/p>\n\n\n\n

Ma\u00ebl AMEMIYA LOMBARD en 5 dates importantes : <\/mark><\/strong><\/h3>\n\n\n\n

2009 : Fukui, je r\u00e9veille le japonais qui sommeil en moi.<\/p>\n\n\n\n

2010 : Tokyo \u00ab Oh, j\u2019ai des mains ! \u00bb.<\/p>\n\n\n\n

2013 : Paris, besoin de campagne.<\/p>\n\n\n\n

2016 : Gaillac, cr\u00e9ation d\u2019un lieu.<\/p>\n\n\n\n

2022 : Comme il le dit s’y bien : \u00ab\u00a0J’avance …\u00a0\u00bb<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00ab\u00a0Pour moi, la c\u00e9ramique est un chemin.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Source des photos et des textes : Ma\u00ebl AMEMIYA LOMBARD et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Ma\u00ebl AMEMIYA LOMBARD et ses cr\u00e9ations (1985-) Originaire de Bretagne, \u00e0 Rennes o\u00f9 il a grandi. Il est Breton par […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-5686","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nMa\u00ebl AMEMIYA LOMBARD - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Ma\u00ebl AMEMIYA LOMBARD est \u00e0 Gaillac, dans le Tarn, en Occitanie. 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