{"id":39125,"date":"2026-02-08T22:34:47","date_gmt":"2026-02-08T21:34:47","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=39125"},"modified":"2026-03-07T16:32:24","modified_gmt":"2026-03-07T15:32:24","slug":"benoit-viet","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/benoit-viet\/","title":{"rendered":"Rencontre avec Beno\u00eet VIET C\u00e9ramiste fran\u00e7ais \u00e0 Chaudon"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Benoi\u0302t<\/figure>
\n

<\/p>\n\n\n\n

Beno\u00eet VIET et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1977-)<\/p>\n\n\n\n

Potier-c\u00e9ramiste vivant \u00e0 Chaudon, en Eure-et-Loir, o\u00f9 il a install\u00e9 son atelier. D\u2019un temp\u00e9rament r\u00eaveur depuis l\u2019enfance, il est tr\u00e8s t\u00f4t attir\u00e9 par le dessin, la bande dessin\u00e9e, les mondes imaginaires et les r\u00e9cits fantastiques.<\/p>\n\n\n\n

Cette sensibilit\u00e9 visuelle l\u2019oriente d\u2019abord vers des \u00e9tudes en communication visuelle et en graphisme, qu\u2019il poursuit avant de travailler plusieurs ann\u00e9es dans une agence parisienne.<\/p>\n\n\n\n

Parall\u00e8lement, il nourrit un go\u00fbt prononc\u00e9 pour le voyage, parcourant l\u2019Europe, puis l\u2019Inde, le N\u00e9pal et la Nouvelle-Z\u00e9lande. Ces d\u00e9placements, souvent v\u00e9cus comme des exp\u00e9riences initiatiques, fa\u00e7onnent durablement son rapport au monde, \u00e0 la lenteur et aux cultures artisanales. Ils pr\u00e9parent en silence le terrain d\u2019un changement de vie, guid\u00e9 par un besoin croissant de concret, de mati\u00e8re et de sens.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

La rencontre avec la c\u00e9ramique a lieu en 2008, lors d\u2019un premier stage de tournage \u00e0 Dreux. Cette exp\u00e9rience agit comme une r\u00e9v\u00e9lation imm\u00e9diate et d\u00e9cisive.<\/p>\n\n\n\n

Beno\u00eet s\u2019engage alors dans une formation approfondie aupr\u00e8s de Martine ACQUAVIVA, avant de poursuivre son apprentissage \u00e0 La Borne, lieu embl\u00e9matique de la c\u00e9ramique fran\u00e7aise. Il y travaille notamment avec Dominique LEGROS, Agn\u00e8s CHAPELET et d\u2019autres c\u00e9ramistes, d\u00e9couvrant une approche exigeante du m\u00e9tier, fond\u00e9e sur la r\u00e9p\u00e9tition du geste, l\u2019observation du feu et l\u2019acceptation de l\u2019impr\u00e9visible.<\/p>\n\n\n\n

D\u2019abord attir\u00e9 par la cuisson basse temp\u00e9rature (Hikidashi) ou comme le style de cuisson de la famille Raku. Il s\u2019oriente progressivement vers la haute temp\u00e9rature et la cuisson au bois, s\u00e9duit par la richesse des surfaces et la profondeur des effets. Cette p\u00e9riode marque l\u2019ancrage d\u00e9finitif de son identit\u00e9 de potier.<\/p>\n\n\n\n

Son travail se d\u00e9veloppe autour du tournage et du montage \u00e0 la plaque, alternant formes \u00e9pur\u00e9es et pi\u00e8ces plus libres, parfois brutes, toujours sensibles.<\/p>\n<\/div>

\"Benoi\u0302t<\/figure><\/div>\n\n\n\n
\"Benoi\u0302t<\/figure>
\n

<\/p>\n\n\n\n

Il se d\u00e9finit comme potier lorsqu\u2019il est au tour, dans le rythme et la concentration du geste, et comme c\u00e9ramiste lorsqu\u2019il explore les mati\u00e8res, les engobes et les surfaces.<\/p>\n\n\n\n

Inspir\u00e9 par la nature, la musique et ses propres \u00e9tats int\u00e9rieurs, il utilise peu d\u2019\u00e9maux, privil\u00e9giant des couvertes sobres telles que c\u00e9ladons, shino ou engobes, laissant la terre et le feu s\u2019exprimer. Il cuit ses pi\u00e8ces dans un four \u00e0 bois qu\u2019il a construit lui-m\u00eame, aliment\u00e9 principalement en ch\u00eane et bois blanc. Les cuissons, d\u2019environ vingt heures, sont v\u00e9cues comme des moments intenses, o\u00f9 la ma\u00eetrise technique dialogue constamment avec le hasard.<\/p>\n\n\n\n

Tr\u00e8s attach\u00e9 \u00e0 la transmission, Beno\u00eet enseigne le tournage depuis 2011 au sein de l\u2019association Terre d\u2019Artistes \u00e0 Dreux, partageant son savoir-faire avec des publics vari\u00e9s. Son approche p\u00e9dagogique est fond\u00e9e sur l\u2019\u00e9coute, l\u2019exp\u00e9rimentation et le respect du rythme de chacun. Dans sa pratique personnelle, il cherche \u00e0 travailler autant que possible avec des ressources locales, dans une attention constante aux \u00e9l\u00e9ments \u2014 terre, feu, eau et air \u2014 qui structurent son travail.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0L\u2019esth\u00e9tique japonaise occupe une place essentielle dans sa d\u00e9marche, tant pour son rapport \u00e0 la simplicit\u00e9 que pour la valorisation de l\u2019imperfection et du l\u00e2cher-prise. Cette culture fait partie int\u00e9grante de mon travail depuis toujours, sans que je l\u2019aie consciemment recherch\u00e9e.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Issu de la g\u00e9n\u00e9ration \u00ab\u00a0Club Doroth\u00e9e\u00a0\u00bb, cette influence a sans doute commenc\u00e9 tr\u00e8s t\u00f4t, \u00e0 travers les anim\u00e9s. Elle s\u2019est ensuite nourrie de la lecture de magazines de jeux vid\u00e9o tels que Gen4, Joystick, Console+ ou Player One, dont les articles et photographies sur le Japon ont durablement marqu\u00e9 mon imaginaire.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Certaines lectures ont profond\u00e9ment transform\u00e9 mon regard, notamment \u00ab\u00a0Musashi\u00a0\u00bb d\u2019Eiji YOSHIKAWA, \u00ab\u00a0Artisan et inconnu\u00a0\u00bb de S\u014detsu YANAGI ou \u00ab\u00a0La R\u00e9volution d\u2019un seul brin de paille\u00a0\u00bb de Masanobu FUKUOKA. Ces ouvrages m\u2019ont ouvert \u00e0 une autre mani\u00e8re d\u2019appr\u00e9hender le beau. Il m\u2019a fallu du temps pour assimiler cette vision de la beaut\u00e9 de l\u2019imperfection, me d\u00e9tacher de la technique acquise et laisser davantage de place au l\u00e2cher-prise et aux ressentis du moment.\u00a0\u00bb<\/p>\n<\/div>

\"Benoi\u0302t<\/figure><\/div>\n\n\n\n
\"Benoi\u0302t<\/figure>
\n

<\/p>\n\n\n\n

Beno\u00eet VIET<\/strong><\/mark><\/strong> en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

2008<\/strong> : Rencontre avec la terre et avec Martine Acquaviva qui a allum\u00e9 l\u2019\u00e9tincelle.<\/p>\n\n\n\n

2010\/2011<\/strong> : Immersion et formation dans des ateliers de potiers\/c\u00e9ramistes \u00e0 La Borne (Dominique LEGROS, Agn\u00e8s CHAPELET, David LOUVEAU\u2026).<\/p>\n\n\n\n

2013<\/strong> : Premier Symposium c\u00e9ramique \u00ab Pogranicze kultur \u00bb \u00e0 Zduny en Pologne, et rencontre avec W\u0142odzimierz \u0106wir.<\/p>\n\n\n\n

2019<\/strong> : ann\u00e9e riche en expositions, dont la 42e \u00e9dition du salon d\u2019Arts Formes et Couleurs \u00e0 la Coll\u00e9giale St Andr\u00e9 de Chartres, o\u00f9 j\u2019ai re\u00e7u le 2e prix, et ma premi\u00e8re exposition en solo \u00e0 la Chapelle des Arts de Maintenon.<\/p>\n\n\n\n

2025<\/strong> : Fin de la construction (qui aura dur\u00e9 2 ans) et premi\u00e8re cuisson de mon four \u00e0 bois, d\u00e9but d\u2019une nouvelle aventure c\u00e9ramique.<\/p>\n<\/div><\/div>\n\n\n\n

Source des photos et des textes : Beno\u00eet VIET et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Beno\u00eet VIET et ses cr\u00e9ations (1977-) Potier-c\u00e9ramiste vivant \u00e0 Chaudon, en Eure-et-Loir, o\u00f9 il a install\u00e9 son atelier. D\u2019un temp\u00e9rament […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-39125","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nBeno\u00eet VIET - Maison Wabi-Sabi - C\u00e9ramiste<\/title>\n<meta name=\"description\" content=\"Beno\u00eet VIET est \u00e0 Chaudon, en Eure-et-Loir, en Centre-Val de Loire. 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