{"id":39064,"date":"2026-02-04T21:53:56","date_gmt":"2026-02-04T20:53:56","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=39064"},"modified":"2026-02-08T22:41:10","modified_gmt":"2026-02-08T21:41:10","slug":"ushio-shimizu","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/ushio-shimizu\/","title":{"rendered":"Rencontre avec Ushio SHIMIZU \u6e05\u6c34 \u6f6e C\u00e9ramiste japonais \u00e0 Yokkaichi"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Ushio<\/figure>
\n

<\/p>\n\n\n\n

Ushio SHIMIZU et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1975-)<\/p>\n\n\n\n

N\u00e9 \u00e0 Yokkaichi, dans la pr\u00e9fecture de Mie. C’est un c\u00e9ramiste japonais issu d\u2019une lign\u00e9e de potiers remontant \u00e0 trois g\u00e9n\u00e9rations. Il dirige aujourd\u2019hui l\u2019atelier Suigetsu T\u014den (\u9154\u6708\u9676\u82d1), situ\u00e9 \u00e0 Minami-Ikaruga-ch\u014d, \u00e0 Yokkaichi, une r\u00e9gion historiquement li\u00e9e \u00e0 la c\u00e9ramique de Banko-yaki.<\/p>\n\n\n\n

N\u00e9 au sein d\u2019un foyer o\u00f9 la c\u00e9ramique constituait une activit\u00e9 quotidienne. Il a \u00e9t\u00e9 tr\u00e8s t\u00f4t confront\u00e9 au travail de la terre et du feu. En observant d\u00e8s l\u2019enfance son grand-p\u00e8re, ancien ma\u00eetre du four familial, il d\u00e9veloppe une sensibilit\u00e9 profonde pour la fabrication des objets utilitaires et pour la valeur humaine du geste artisanal. Il se d\u00e9finit avant tout comme c\u00e9ramiste (\u9676\u82b8\u5bb6 T\u014dgeika), un terme qui refl\u00e8te \u00e0 la fois son ancrage dans la tradition et son engagement personnel dans la cr\u00e9ation contemporaine. Son identit\u00e9 artistique est indissociable de son histoire familiale et du territoire de Yokkaichi.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

La pratique de Ushio Shimizu repose sur une connaissance intime des mat\u00e9riaux et des processus de cuisson. Il travaille principalement \u00e0 1230 \u00b0C, avec des cuissons d\u2019environ douze heures, utilisant des \u00e9maux de cendre de paille et des \u00e9maux mats, caract\u00e9ristiques de son univers formel sobre et tactile.<\/p>\n\n\n\n

Il emploie diff\u00e9rentes terres afin d\u2019\u00e9largir ses possibilit\u00e9s d\u2019expression et d\u2019adapter ses pi\u00e8ces aux usages contemporains. Son objectif n\u2019est pas de reproduire des formes fig\u00e9es, mais de concevoir des ustensiles adapt\u00e9s \u00e0 la vie actuelle, en dialogue constant avec la tradition. Chaque cuisson reste pour lui une exp\u00e9rience \u00e9motionnelle : la r\u00e9ussite d\u2019une pi\u00e8ce procure une joie renouvel\u00e9e, confirmant le lien sensible entre intention, mati\u00e8re et feu.<\/p>\n\n\n\n

Le dessin intervient ponctuellement, notamment lors de la conception de pi\u00e8ces de grande taille, comme un outil de r\u00e9flexion plut\u00f4t que comme une fin en soi.<\/p>\n<\/div>

\"Ushio<\/figure><\/div>\n\n\n\n
\"Ushio<\/figure>
\n

<\/p>\n\n\n\n

Tr\u00e8s attach\u00e9 \u00e0 la transmission, il consid\u00e8re le partage du savoir-faire comme une responsabilit\u00e9 centrale du c\u00e9ramiste au sein de la soci\u00e9t\u00e9 contemporaine. Il anime r\u00e9guli\u00e8rement des ateliers au Banko no Sato Kaikan, centre culturel embl\u00e9matique de Yokkaichi d\u00e9di\u00e9 au Banko-yaki, qui joue un r\u00f4le cl\u00e9 dans la pr\u00e9servation, la diffusion et la p\u00e9dagogie de cette tradition c\u00e9ramique r\u00e9gionale. Ce lieu n\u2019est pas seulement un espace d\u2019exposition, mais aussi un site actif de formation, o\u00f9 artisans confirm\u00e9s, amateurs et jeunes g\u00e9n\u00e9rations entrent en contact direct avec les techniques, les mat\u00e9riaux et l\u2019histoire du Banko-yaki.<\/p>\n\n\n\n

En parall\u00e8le, Il ouvre son propre atelier comme lieu d\u2019apprentissage vivant, favorisant une transmission fond\u00e9e sur l\u2019exp\u00e9rience directe et le geste. Pour lui, ces exp\u00e9riences renforcent sa conviction que l\u2019\u00e9quilibre entre terre, feu, eau, air et \u00e9maux constitue le c\u0153ur m\u00eame de l\u2019acte cr\u00e9atif, \u00e0 la crois\u00e9e de la tradition et de l\u2019engagement humain.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Ushio SHIMIZU<\/strong> en 3 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

2005<\/strong> : Il re\u00e7oit un prix \u00e0 la Japan Traditional Crafts Exhibition. Manifestation nationale de r\u00e9f\u00e9rence organis\u00e9e par la Japan K\u014dgeikai, qui distingue des \u0153uvres respectant les techniques traditionnelles tout en d\u00e9montrant une qualit\u00e9 artistique et une pertinence contemporaine \u00e9lev\u00e9es. Cette distinction marque une \u00e9tape d\u00e9cisive dans sa carri\u00e8re<\/p>\n\n\n\n

2007<\/strong> : Il devient membre titulaire de la Japan K\u014dgeikai.<\/p>\n\n\n\n

2009<\/strong> : Il expose au Nihonbashi Mitsukoshi, l\u2019un des grands magasins les plus prestigieux du Japon et haut lieu de diffusion de l\u2019artisanat d\u2019excellence, confirme sa reconnaissance aupr\u00e8s d\u2019un public \u00e9largi.<\/p>\n<\/div>

\"Ushio<\/figure><\/div>\n\n\n\n

Source des photos et des textes : Ushio SHIMIZU et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Ushio SHIMIZU et ses cr\u00e9ations (1975-) N\u00e9 \u00e0 Yokkaichi, dans la pr\u00e9fecture de Mie. C’est un c\u00e9ramiste japonais issu d\u2019une […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-39064","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nUshio SHIMIZU - Maison Wabi-Sabi - C\u00e9ramiste<\/title>\n<meta name=\"description\" content=\"Ushio SHIMIZU \u6e05\u6c34 \u6f6e est \u00e0 Yokkaichi, pr\u00e9fecture de Mie, Honsh\u016b. 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