{"id":38580,"date":"2025-12-11T14:04:14","date_gmt":"2025-12-11T13:04:14","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=38580"},"modified":"2026-02-02T20:33:43","modified_gmt":"2026-02-02T19:33:43","slug":"yasushi-okada","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/yasushi-okada\/","title":{"rendered":"Rencontre avec Yasushi OKADA \u5ca1\u7530\u6cf0 C\u00e9ramiste japonais \u00e0 Hagi"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Yasushi<\/figure>
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<\/p>\n\n\n\n

Yasushi OKADA et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1976-)<\/p>\n\n\n\n

N\u00e9 \u00e0 Hagi, dans la pr\u00e9fecture de Yamaguchi. Ayant grandi dans une famille profond\u00e9ment ancr\u00e9e dans cette tradition Hagi-yaki. Il a tr\u00e8s t\u00f4t \u00e9t\u00e9 confront\u00e9 au rituel des fours, des argiles, des \u00e9maux, et au soin apport\u00e9 aux pi\u00e8ces fa\u00e7onn\u00e9es pour la c\u00e9r\u00e9monie du th\u00e9. Il a choisi de s\u2019orienter vers les arts. \u00c9tudiant la sculpture \u00e0 la Tokyo Zokei University. <\/p>\n\n\n\n

Cette formation artistique lui a offert un sens aigu des volumes, de la forme, et de l\u2019\u00e9quilibre. Des qualit\u00e9s qu\u2019il transpose aujourd\u2019hui dans ses pi\u00e8ces c\u00e9ramiques. D\u00e9sireux d\u2019approfondir la technique, il a poursuivi des \u00e9tudes \u00e0 Ky\u014dto pour apprendre la c\u00e9ramique de fa\u00e7on professionnelle. \u00c0 son retour dans sa ville natale, il rejoint l\u2019atelier familial, avec la volont\u00e9 de l\u2019inscrire dans une d\u00e9marche \u00e0 la fois respectueuse de la tradition et ouverte aux sensibilit\u00e9s contemporaines.<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

L\u2019atelier familial, connu sous le nom Okada-gama, existe depuis l\u2019\u00e9poque Edo. Un h\u00e9ritage vivant o\u00f9 se m\u00ealent m\u00e9moire, rituels artisanaux et savoir-faire transmis de p\u00e8re en fils. Ce four traditionnel, un Noborigama (four grimpant), reste en activit\u00e9 aujourd\u2019hui et fonctionne exactement comme il y a des si\u00e8cles : les cuissons conf\u00e8rent aux pi\u00e8ces des effets vari\u00e9s et surprenants selon la position dans le four. <\/p>\n\n\n\n

Le p\u00e8re de Yasushi, ma\u00eetre potier respect\u00e9, a consacr\u00e9 sa vie \u00e0 pr\u00e9server ces m\u00e9thodes anciennes, enseignant les gestes classiques, la pr\u00e9paration de l\u2019argile, la cuisson, le respect du mat\u00e9riau. <\/p>\n\n\n\n

Aujourd\u2019hui, p\u00e8re et fils travaillent c\u00f4te \u00e0 c\u00f4te. L\u2019atelier Okada-gama devient ainsi un espace de dialogue entre tradition et renouvellement : l\u2019exp\u00e9rience du pass\u00e9, la rigueur du geste ancestral, et la curiosit\u00e9 cr\u00e9ative de la nouvelle g\u00e9n\u00e9ration. Chaque pi\u00e8ce qui en sort incarne ce double h\u00e9ritage.<\/p>\n<\/div>

\"Yasushi<\/figure><\/div>\n\n\n\n
\"Yasushi<\/figure>
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<\/p>\n\n\n\n

Le travail de Yasushi Okada s\u2019inscrit dans la tradition respect\u00e9e du Hagi-yaki, une des formes les plus embl\u00e9matiques de c\u00e9ramique japonaise. Ce style se caract\u00e9rise par l\u2019usage d\u2019argiles locales, naturellement poreuses. Elles donnent aux pi\u00e8ces une texture douce, chaude et vivante. Une porosit\u00e9 essentielle pour le vieillissement des objets.<\/p>\n\n\n\n

Les gla\u00e7ures sont sobres, l\u00e9g\u00e8res, souvent translucides : elles ne recherchent pas l\u2019\u00e9clat mais diff\u00e8rent par leur d\u00e9licatesse, laissant la terre respirer, percevoir ses nuances, ses reliefs, sa naturalit\u00e9. La cuisson dans un four ascendant cr\u00e9e des effets uniques : des craquelures fines (Kanny\u016b), des variations de teintes, parfois des teintes inattendues, selon la position de la pi\u00e8ce et la circulation de la flamme. <\/p>\n\n\n\n

L\u2019une des qualit\u00e9s les plus appr\u00e9ci\u00e9es du Hagi-yaki est le ph\u00e9nom\u00e8ne dit Nanabake \u00ab les 7 transformations \u00bb. Une m\u00e9tamorphose lente et subtile de l\u2019apparence. Au fil des usages, les craquelures se patinent, la pi\u00e8ce s\u2019impr\u00e8gne de la vie de son utilisateur. Le style Hagi-yaki incarne le rapport japonais au temps, \u00e0 la simplicit\u00e9, \u00e0 la beaut\u00e9 de l\u2019usure. Un style humble, discret, sensoriel, et en accord avec l\u2019esprit Wabi-Sabi.<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

Si OKADA san ma\u00eetrise les codes du Hagi-yaki traditionnel. Il n\u2019h\u00e9site pas \u00e0 les prolonger avec une vision personnelle marqu\u00e9e. Sa signature est l\u2019\u00e9mail qu\u2019il a d\u00e9velopp\u00e9 lui-m\u00eame. Il est baptis\u00e9 Tanseiyu, un bleu clair, pur, presque translucide et rare pour le Hagi-yaki, qui renouvelle l\u2019esth\u00e9tique traditionnelle. Ce bleu \u00e9voque la mer, la lumi\u00e8re, l\u2019air frais, et s\u2019accorde \u00e0 la terre poreuse avec une d\u00e9licatesse naturelle. Il sugg\u00e8re un souffle sobre, un hommage \u00e0 l\u2019environnement c\u00f4tier de Hagi et \u00e0 la beaut\u00e9 discr\u00e8te de la nature environnante.<\/p>\n\n\n\n

Les formes qu\u2019il cr\u00e9e privil\u00e9gient la simplicit\u00e9, l\u2019\u00e9quilibre, la fonctionnalit\u00e9, les proportions harmonieuses, toujours pens\u00e9es pour l\u2019usage quotidien. Chaque pi\u00e8ce est \u00e9quilibr\u00e9e dans la main, sensible au toucher, harmonieuse dans ses proportions. Il explore des formes plus verticales, modernes, mais sans jamais trahir l\u2019esprit Hagi : sobri\u00e9t\u00e9, naturel, confort tactile. Cette alliance d\u2019un h\u00e9ritage ancien et d\u2019une sensibilit\u00e9 contemporaine conf\u00e8re \u00e0 ses \u0153uvres une profondeur particuli\u00e8re : elles sont \u00e0 la fois respectueuses des racines et ouvertes \u00e0 une esth\u00e9tique actuelle, universelle, et li\u00e9e \u00e0 leur terre d\u2019origine.<\/p>\n<\/div>

\"Yasushi<\/figure><\/div>\n\n\n\n
\"Yasushi<\/figure>
\n

<\/p>\n\n\n\n

La poterie n\u2019est pas simplement un artisanat : c\u2019est un dialogue entre la terre, le feu et l\u2019humain, un objet na\u00eet, vit, \u00e9volue. Sa d\u00e9marche technique est exigeante : l\u2019argile doit \u00eatre pr\u00e9par\u00e9e avec soin, ni trop lisse ni trop brute, assez vivante pour absorber les glazes, pour respirer.<\/p>\n\n\n\n

Le tournage doit \u00eatre pr\u00e9cis, mais gardant une spontan\u00e9it\u00e9 qui laisse infuser la mati\u00e8re. Les parois sont calibr\u00e9es : assez fines pour offrir la chaleur d\u2019un th\u00e9, assez \u00e9paisses pour garder la s\u00e9r\u00e9nit\u00e9, le confort en main. L\u2019application de l\u2019\u00e9mail ob\u00e9it \u00e0 la retenue : une couche fine, subtile, laissant transpara\u00eetre la terre. <\/p>\n\n\n\n

La cuisson dans le noborigama, avec ses variations de temp\u00e9rature et l\u2019empreinte particuli\u00e8re du feu, donne naissance \u00e0 des pi\u00e8ces dont la texture, la couleur, la nuance, respirent la vie. La c\u00e9ramique doit accompagner le quotidien, encourager la lenteur, la contemplation, le contact humain. Chaque pi\u00e8ce r\u00e9sulte d\u2019une intention : offrir un moment de calme, de douceur, empreint de sensibilit\u00e9 et d\u2019harmonie. Une pi\u00e8ce parfaite n\u2019est pas une \u0153uvre fig\u00e9e, mais un compagnon de vie, qui \u00e9volue, se patine, s\u2019impr\u00e8gne des gestes d\u2019un utilisateur.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Yasushi OKADA<\/strong> en 7 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

2002 : <\/strong>Dipl\u00f4me en sculpture de la Tokyo Zokei University.<\/p>\n\n\n\n

2005 : <\/strong>Formation c\u00e9ramique compl\u00e9t\u00e9e \u00e0 Ky\u014dto. Ma\u00eetrise des techniques de fa\u00e7onnage et de cuisson.<\/p>\n\n\n\n

2007<\/strong> : S\u00e9lection et prix \u00e0 l\u2019Otaki Hokkaido Ceramics Exhibition et au Hagi Taisho.<\/p>\n\n\n\n

2008 et 2009<\/strong> : Obtient le Yamaguchi Governor Award et d\u2019autres distinctions au West Japan Ceramic Art Exhibition et au Yamaguchi Prefectural Art Exhibition.<\/p>\n\n\n\n

2023<\/strong> : Re\u00e7oit le POLA Traditional Culture Award (encouragement).<\/p>\n\n\n\n

2024<\/strong> : Laur\u00e9at de l\u2019Asahi Shimbun Award au Yamaguchi Traditional K\u014dgei Exhibition (distinction la plus importante).<\/p>\n<\/div>

\"Yasushi<\/figure><\/div>\n\n\n\n

Source des photos et des textes : Yasushi OKADA et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Yasushi OKADA et ses cr\u00e9ations (1976-) N\u00e9 \u00e0 Hagi, dans la pr\u00e9fecture de Yamaguchi. Ayant grandi dans une famille profond\u00e9ment […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-38580","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nYasushi OKADA - Maison Wabi-Sabi - C\u00e9ramiste<\/title>\n<meta name=\"description\" content=\"Yasushi OKADA \u5ca1\u7530\u6cf0 est \u00e0 Hagi, pr\u00e9fecture de Yamaguchi, Honsh\u016b. 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