{"id":36924,"date":"2025-09-12T22:03:24","date_gmt":"2025-09-12T20:03:24","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=36924"},"modified":"2025-09-12T23:46:44","modified_gmt":"2025-09-12T21:46:44","slug":"kyohei-nakagawa","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/kyohei-nakagawa\/","title":{"rendered":"Rencontre avec Ky\u014dhei NAKAGAWA \u4e2d\u5ddd\u606d\u5e73 C\u00e9ramiste japonais \u00e0 Karatsu"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Kyohei<\/figure>
\n

<\/p>\n\n\n\n

Ky\u014dhei NAKAGAWA et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1983-)<\/p>\n\n\n\n

N\u00e9 \u00e0 Genkai, dans la pr\u00e9fecture de Saga, il appartient \u00e0 une lign\u00e9e profond\u00e9ment enracin\u00e9e dans l\u2019histoire du Karatsu-yaki. Son p\u00e8re, Jinenb\u014d NAKAGAWA \u81ea\u7136\u574a, est une figure respect\u00e9e de cette tradition et a b\u00e2ti la r\u00e9putation du four familial. C\u2019est dans cet environnement qu’il d\u00e9couvre la c\u00e9ramique, entre odeur de terre humide et rythme du feu.<\/p>\n\n\n\n

En 2009, il s\u2019engage officiellement comme apprenti aupr\u00e8s de son p\u00e8re. Cet apprentissage ne se limite pas \u00e0 la technique : il implique l\u2019observation attentive du rapport entre argile, eau, air et feu. Chaque geste r\u00e9p\u00e9t\u00e9 au tour de potier est aussi une le\u00e7on d\u2019humilit\u00e9 face \u00e0 la mati\u00e8re. La transmission de savoir se m\u00eale \u00e0 une exigence de sinc\u00e9rit\u00e9 : comprendre la tradition ne suffit pas, il faut l\u2019incarner. Ce passage par l\u2019atelier paternel devient ainsi le socle d\u2019une d\u00e9marche qui cherchera toujours \u00e0 concilier fid\u00e9lit\u00e9 et singularit\u00e9.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

En 2012, Ky\u014dhei reprend le four Jinenb\u014d-gama et signe d\u00e9sormais ses \u0153uvres sous son nom. Cette transition marque une \u00e9tape d\u00e9cisive : il h\u00e9rite d\u2019un patrimoine technique et symbolique, mais se doit de tracer une voie personnelle.<\/p>\n\n\n\n

Ses premi\u00e8res productions r\u00e9v\u00e8lent une recherche d\u2019\u00e9quilibre entre l\u2019\u00e9nergie du feu et l\u2019usage quotidien. Ses bols, tasses et assiettes, bien que fortement marqu\u00e9s par la cuisson, restent pens\u00e9s pour la main, pour le repas, pour le contact direct avec l\u2019utilisateur. Rapidement, on note chez lui une volont\u00e9 d\u2019explorer des formes moins attendues dans le Karatsu. Comme les pi\u00e8ces carr\u00e9es, qui contrastent avec la tradition des courbes organiques.<\/p>\n\n\n\n

Cette audace formelle souligne son d\u00e9sir de ne pas reproduire un h\u00e9ritage fig\u00e9, mais de le faire \u00e9voluer. Tout en \u00e9tant conscient de la responsabilit\u00e9 de porter un nom respect\u00e9, il choisit de donner \u00e0 ses pi\u00e8ces une identit\u00e9 propre, parfois rude, toujours vivante.<\/p>\n<\/div>

\"Kyohei<\/figure><\/div>\n\n\n\n
\"Kyohei<\/figure>
\n

<\/p>\n\n\n\n

Sur le plan technique, NAKAGAWA san travaille principalement avec des argiles locales riches en fer, typiques de la r\u00e9gion de Karatsu.<\/p>\n\n\n\n

Il utilise des gla\u00e7ures traditionnelles comme le Kohiki. Un engobe blanc adoucit la surface et lui conf\u00e8re une texture poudr\u00e9e. Le Madara Karatsu, reconnaissable \u00e0 ses effets mouchet\u00e9s et transparents. Le Hakeme, d\u00e9cor au pinceau, r\u00e9v\u00e8le quant \u00e0 lui la force du geste, laissant visibles les traces de l\u2019outil.<\/p>\n\n\n\n

Ses cuissons sont exigeantes et risqu\u00e9es, o\u00f9 de nombreuses pi\u00e8ces sont perdues pour ne laisser subsister que celles qui ont r\u00e9sist\u00e9 au feu. Ce processus volontairement fragile t\u00e9moigne de sa conviction que la v\u00e9ritable intensit\u00e9 na\u00eet de l\u2019impr\u00e9visible. Chaque pi\u00e8ce devient une \u201csurvivante\u201d, portant la m\u00e9moire d\u2019un combat entre l\u2019intention du potier et la dynamique du four. La puissance de ses cuissons, relev\u00e9e par les critiques, constitue aujourd\u2019hui l\u2019une de ses signatures esth\u00e9tiques majeures.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Ky\u014dhei exprime souvent le d\u00e9sir de cr\u00e9er des \u0153uvres \u201cint\u00e9ressantes\u201d plut\u00f4t que simplement belles. Par ce terme, il entend des pi\u00e8ces capables de provoquer la curiosit\u00e9, de retenir l\u2019attention par leurs irr\u00e9gularit\u00e9s, leurs contrastes et leur vitalit\u00e9.<\/p>\n\n\n\n

Son esth\u00e9tique se fonde sur l\u2019acceptation du hasard et de l\u2019accident, dans une vision o\u00f9 le potier n\u2019impose pas une domination totale \u00e0 la mati\u00e8re mais dialogue avec elle. Cette philosophie l\u2019\u00e9loigne d\u2019une recherche de perfection formelle pour se rapprocher d\u2019une v\u00e9rit\u00e9 plus organique : une tasse, un bol ou une assiette doit continuer \u00e0 r\u00e9v\u00e9ler son caract\u00e8re au fil de l\u2019usage.<\/p>\n\n\n\n

Depuis sa premi\u00e8re exposition personnelle en 2020 \u00e0 la Galerie Tachibana, ses \u0153uvres sont accueillies avec enthousiasme et reconnaissance. Ses expositions r\u00e9centes, comme Genkai Karatsu, confirment sa place parmi les voix fortes de la nouvelle g\u00e9n\u00e9ration, o\u00f9 h\u00e9ritage, audace technique et sinc\u00e9rit\u00e9 philosophique se rencontrent harmonieusement.<\/p>\n<\/div>

\"Kyohei<\/figure><\/div>\n\n\n\n
\"Kyohei<\/figure>
\n

<\/p>\n\n\n\n

Ky\u014dhei NAKAGAWA<\/strong>\u00a0en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1983\u00a0: Naissance \u00e0 Genkai (pr\u00e9fecture de Saga).<\/p>\n\n\n\n

2009\u00a0: D\u00e9but de son apprentissage aupr\u00e8s de son p\u00e8re.<\/p>\n\n\n\n

2012\u00a0: Reprise du four familial\u00a0Jinenb\u014d-gama.<\/p>\n\n\n\n

2020\u00a0: Premi\u00e8re exposition personnelle \u00e0 la Galerie Tachibana (Nara).<\/p>\n\n\n\n

2023\u20132025\u00a0: Expositions\u00a0Genkai Karatsu, affirmation de son style et reconnaissance \u00e9largie.<\/p>\n<\/div><\/div>\n\n\n\n

Source des photos et des textes : Ky\u014dhei NAKAGAWA et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Ky\u014dhei NAKAGAWA et ses cr\u00e9ations (1983-) N\u00e9 \u00e0 Genkai, dans la pr\u00e9fecture de Saga, il appartient \u00e0 une lign\u00e9e profond\u00e9ment […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[234,232,238,236,230,237,235,231,239],"class_list":["post-36924","post","type-post","status-publish","format-standard","hentry","category-ceramistes","tag-art-de-la-table-en-poterie","tag-ceramique-artisanale","tag-creations-en-poterie","tag-objets-en-ceramique","tag-poterie-artisanale","tag-poterie-dart","tag-poterie-decorative","tag-poterie-faite-main","tag-poterie-unique"],"yoast_head":"\nKy\u014dhei NAKAGAWA - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Ky\u014dhei NAKAGAWA \u4e2d\u5ddd\u606d\u5e73 est \u00e0 Karatsu, pr\u00e9fecture de Saga. 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