{"id":34437,"date":"2025-05-03T13:15:19","date_gmt":"2025-05-03T11:15:19","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=34437"},"modified":"2025-09-02T22:55:43","modified_gmt":"2025-09-02T20:55:43","slug":"aaron-scythe","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/aaron-scythe\/","title":{"rendered":"Rencontre avec Aaron SCYTHE C\u00e9ramiste N\u00e9o-Z\u00e9landais \u00e0 Te Aroha"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Aaron<\/figure>
\n

Aaron SCYTHE et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1971-)<\/p>\n\n\n\n

C\u00e9ramiste n\u00e9o-z\u00e9landais et originaire d’Auckland. Issu d’une famille cr\u00e9ative \u2014 son p\u00e8re \u00e9tait journaliste hippique et sa m\u00e8re styliste \u2014, il d\u00e9couvre tr\u00e8s t\u00f4t sa passion pour la poterie. \u00c0 l’adolescence, il fr\u00e9quente un petit atelier \u00e0 Parnell, o\u00f9 il se familiarise avec l’art de la c\u00e9ramique.<\/p>\n\n\n\n

\u00c0 15 ans, il travaille comme mouleur-couleur \u00e0 temps plein, une exp\u00e9rience qui lui inculque rigueur et rapidit\u00e9. Il poursuit ensuite des \u00e9tudes en arts appliqu\u00e9s \u00e0 Unitec en 1988, puis \u00e0 East Sydney Polytech en 1989, o\u00f9 il d\u00e9veloppe un int\u00e9r\u00eat marqu\u00e9 pour les c\u00e9ramiques de la p\u00e9riode Momoyama.<\/p>\n\n\n\n

En 1995, Scythe se rend au Japon pour approfondir sa ma\u00eetrise du style Minoyaki et \u00e9tudie sous la direction du ma\u00eetre Ry\u014dji KOIE \u9bc9\u6c5f\u826f\u4e8c (1938\u20132020).\u00a0Il s’installe \u00e0 Mashiko, un haut lieu de la c\u00e9ramique japonaise, o\u00f9 il construit plusieurs fours anagama et explore des techniques telles que le Shino, l’Oribe et le Kiseto.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0Au Japon, sur une p\u00e9riode de 16 ans, j\u2019ai organis\u00e9 plus de 60 expositions personnelles<\/mark><\/a> et particip\u00e9 \u00e0 de nombreuses expositions collectives. J\u2019ai anim\u00e9 des ateliers et suis \u00e9galement apparu \u00e0 la t\u00e9l\u00e9vision nationale. Mes \u0153uvres ont \u00e9t\u00e9 publi\u00e9es dans de nombreuses revues sp\u00e9cialis\u00e9es en c\u00e9ramique<\/mark><\/a>. Elles font partie de collections priv\u00e9es en Nouvelle-Z\u00e9lande, au Japon, en Europe et en Am\u00e9rique.\u00a0\u00bb<\/p>\n\n\n\n

En 2011, suite \u00e0 la catastrophe nucl\u00e9aire de Fukushima, il retourne en Nouvelle-Z\u00e9lande avec sa famille.\u00a0Il s’\u00e9tablit \u00e0 Whanganui, o\u00f9 il continue de cr\u00e9er des \u0153uvres qui fusionnent les traditions japonaises et occidentales.\u00a0Son travail int\u00e8gre des \u00e9l\u00e9ments de la culture n\u00e9o-z\u00e9landaise, notamment des motifs inspir\u00e9s de l’art Shunga \u6625\u753b japonais (estampes \u00e9rotiques japonaises), qu’il adapte \u00e0 l’aide d’outils num\u00e9riques comme l’iPad.<\/p>\n\n\n\n

Aaron est reconnu pour son approche innovante de la c\u00e9ramique, m\u00ealant techniques anciennes et expressions contemporaines.\u00a0Son style est la volont\u00e9 de\u00a0laisser appara\u00eetre la main\u00a0de l\u2019artisan. Il c\u00e9l\u00e8bre la distorsion des formes, les\u00a0empreintes de doigts, les traces de pinceau et les\u00a0d\u00e9formations dues \u00e0 la cuisson. Ces \u00e9l\u00e9ments donnent \u00e0 ses pi\u00e8ces une vitalit\u00e9 qu’il consid\u00e8re essentielle : il veut que chaque bol, chaque assiette ou vase\u00a0respire, comme un objet vivant.<\/p>\n<\/div>

\"Aaron<\/figure><\/div>\n\n\n\n
\"Aaron<\/figure>
\n

<\/p>\n\n\n\n

Malgr\u00e9 son approche tr\u00e8s personnelle et artistique, Aaron reste attach\u00e9 \u00e0 la fonction utilitaire de la c\u00e9ramique. Il cr\u00e9e avant tout des objets destin\u00e9s \u00e0 \u00eatre utilis\u00e9s : bols \u00e0 th\u00e9, tasses, assiettes, pichets\u2026 Mais chacun porte en lui une \u00e9nergie, un message, une surprise. Il dit souvent vouloir que ses \u0153uvres soient utilis\u00e9es au quotidien, car c\u2019est l\u00e0 qu\u2019elles prennent tout leur sens, dans le contact avec les mains, les aliments, la vie.<\/p>\n\n\n\n

Aujourd’hui, les \u0153uvres d’Aaron SCYTHE sont pr\u00e9sentes dans de nombreuses collections priv\u00e9es \u00e0 travers le monde, notamment en Nouvelle-Z\u00e9lande, au Japon, en Europe et en Am\u00e9rique. Il continue d’exposer r\u00e9guli\u00e8rement et de partager son savoir-faire \u00e0 travers des ateliers et des publications sp\u00e9cialis\u00e9es.<\/p>\n\n\n\n

Aaron se sert de la c\u00e9ramique comme d\u2019un langage personnel. Il y projette ses pens\u00e9es, ses \u00e9motions, son humour parfois, et aussi ses commentaires sociaux. Le support est ancien, la forme humble, mais le contenu peut \u00eatre subversif, tendre, m\u00e9ditatif ou radical.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Aaron SCYTHE<\/strong> en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1995 : Premier voyage au Japon pour approfondir mon \u00e9tude du shino.<\/p>\n\n\n\n

1996 : \u00c9tude aupr\u00e8s du ma\u00eetre Ry\u014dji KOIE \u9bc9\u6c5f\u826f\u4e8c (1938\u20132020) dans son atelier Kamiyahagi, en travaillant dans le style Mino.<\/p>\n\n\n\n

1997 : Location d\u2019un atelier \u00e0 Mashiko, au Japon. D\u00e9but du travail en porcelaine, ainsi qu\u2019avec les techniques Oribe, Kiseto et Hikidashi. Construction d\u2019un 2\u00e8me four anagama pour la cuisson et l\u2019\u00e9tude des gla\u00e7ures shino.<\/p>\n\n\n\n

1999 : 1\u00e8re exposition personnelle \u00e0 la galerie Space Nico, ville de Kasama, pr\u00e9fecture d’Ibaraki.<\/p>\n\n\n\n

2006 : Installation d\u2019un atelier et d\u2019un four permanents \u00e0 Mashiko. Construction d\u2019un 3\u00e8me four \u00e0 bois ainsi que d\u2019un four raku exp\u00e9rimental au charbon et au bois.<\/p>\n\n\n\n

Ce que je fais, j\u2019ai l\u2019impression que cela vient de moi…
Quand on regarde autour de soi\u2026
Il y a du beau design partout\u2026
Mais souvent fabriqu\u00e9 en usine, sans r\u00e9flexion\u2026
Plus rien de l\u2019\u00e2me humaine\u2026
Une beaut\u00e9 compl\u00e8tement d\u00e9shumanis\u00e9e, sans \u00e2me\u2026
Comme parler \u00e0 un mur en attendant une r\u00e9ponse\u2026 rien.
Oui, ce que je fais, j\u2019ai l\u2019impression que cela vient de moi\u2026
Con\u00e7u, mais souvent sans r\u00e9elle intention
Des empreintes, des formes imparfaites, de la distorsion, une \u00e2me
Une expression humaine\u2026<\/p>\n<\/div>

\"Aaron<\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n

Source des photos et des textes : Aaron SCYTHE et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Aaron SCYTHE et ses cr\u00e9ations (1971-) C\u00e9ramiste n\u00e9o-z\u00e9landais et originaire d’Auckland. Issu d’une famille cr\u00e9ative \u2014 son p\u00e8re \u00e9tait journaliste […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-34437","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nAaron SCYTHE - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Aaron SCYTHE est c\u00e9ramiste \u00e0 Te Aroha, en Nouvelle-Z\u00e9lande. 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