{"id":33265,"date":"2025-03-25T23:04:43","date_gmt":"2025-03-25T22:04:43","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=33265"},"modified":"2025-09-09T23:24:58","modified_gmt":"2025-09-09T21:24:58","slug":"kai-tsujimura","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/kai-tsujimura\/","title":{"rendered":"Rencontre avec Kai TSUJIMURA \u8fbb\u6751\u584a C\u00e9ramiste japonais \u00e0 Sakurai"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Kai<\/figure>
\n

<\/p>\n\n\n\n

Kai TSUJIMURA et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1976-)<\/p>\n\n\n\n

Originaire de Nara. Kai est le fils cadet du c\u00e9l\u00e8bre potier Shir\u014d TSUJIMURA \u8fbb\u6751\u53f2\u6717, l\u2019un des plus grands repr\u00e9sentants contemporains de la c\u00e9ramique japonaise libre et instinctive. D\u00e8s l\u2019enfance, Kai baigne dans un environnement artistique et artisanal, o\u00f9 la terre, le feu et l\u2019exp\u00e9rimentation sont au c\u0153ur du quotidien. Son fr\u00e8re a\u00een\u00e9, Yui TSUJIMURA \u8fbb\u6751\u552f, est lui aussi potier. Ensemble, ils perp\u00e9tuent une tradition familiale tout en d\u00e9veloppant chacun un langage c\u00e9ramique personnel.<\/p>\n\n\n\n

Kai commence son apprentissage sous la direction de son p\u00e8re dans les ann\u00e9es 1990. Contrairement \u00e0 une approche acad\u00e9mique classique, son apprentissage est bas\u00e9 sur l\u2019observation, la pratique et l\u2019exp\u00e9rimentation directe, dans l\u2019esprit Zen qui caract\u00e9rise le travail de Shir\u014d TSUJIMURA.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Son travail se distingue par une grande diversit\u00e9 de styles et de techniques. Il ma\u00eetrise le Shigaraki-yaki, le Iga-yaki, le Kohiki, le Kuro-Oribe, ou encore les pi\u00e8ces en Yakishime. Son approche reste fid\u00e8le \u00e0 l\u2019esprit Wabi-Sabi, o\u00f9 l\u2019imperfection, la mati\u00e8re brute et la spontan\u00e9it\u00e9 sont essentielles.<\/p>\n\n\n\n

\u00ab\u00a0Je n\u2019ai pas de souvenir pr\u00e9cis d\u2019un moment d\u00e9clencheur pour commencer \u00e0 faire du Kohiki (c\u00e9ramique avec engobe blanc). Depuis mes d\u00e9buts dans la poterie jusqu\u2019\u00e0 aujourd\u2019hui, j\u2019en fais de mani\u00e8re continue. C\u2019est une technique agr\u00e9able car les pi\u00e8ces sont faciles \u00e0 utiliser comme vaisselle, et on peut aussi en appr\u00e9cier les variations dans le temps. Lors de la fabrication, le jeu des nuances dans l\u2019engobe cr\u00e9e diff\u00e9rentes expressions, ce qui, \u00e0 mon avis, en fait \u00e9galement tout le charme. Pour ma part, je n\u2019utilise ni argiles ni gla\u00e7ures particuli\u00e8rement sp\u00e9ciales. Je cuis mes pi\u00e8ces soit dans un four \u00e9lectrique, soit dans un Anagama (four traditionnel \u00e0 flamme directe). Selon ce que je cr\u00e9e, l\u2019ambiance que je cherche \u00e0 atteindre peut varier.\u00a0\u00bb<\/p>\n<\/div>

\"Bol<\/figure><\/div>\n\n\n\n
\"Kai<\/figure>
\n

<\/p>\n\n\n\n

Kai utilise principalement le tour de potier, mais donne \u00e0 ses pi\u00e8ces un aspect souvent archa\u00efque et sculptural, en jouant avec les textures, les irr\u00e9gularit\u00e9s, les coulures de gla\u00e7ure ou l\u2019absence totale d\u2019\u00e9mail. Il cherche avant tout \u00e0 cr\u00e9er des objets qui dialoguent avec le feu, la terre et le temps \u2014 des \u0153uvres qui respirent la nature et la simplicit\u00e9 profonde.<\/p>\n\n\n\n

Il tient r\u00e9guli\u00e8rement des expositions personnelles au Japon, dans des galeries sp\u00e9cialis\u00e9es en c\u00e9ramique ou dans de grands magasins comme Mitsukoshi ou Hankyu. Il participe \u00e9galement \u00e0 des expositions collectives et \u00e0 des salons internationaux, notamment aux \u00c9tats-Unis et en Europe, o\u00f9 la famille TSUJIMURA jouit d\u2019une solide r\u00e9putation aupr\u00e8s des amateurs de c\u00e9ramique japonaise contemporaine.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Ses \u0153uvres figurent dans plusieurs collections priv\u00e9es et institutionnelles, et sont particuli\u00e8rement appr\u00e9ci\u00e9es pour leur force tranquille, leur authenticit\u00e9 et leur lien profond avec les traditions japonaises, tout en restant pleinement vivantes et contemporaines.<\/p>\n\n\n\n

La poterie est un prolongement de la vie quotidienne. Ses objets : bols \u00e0 th\u00e9, vases, jarres ou r\u00e9cipients de tous les jours sont con\u00e7us pour \u00eatre utilis\u00e9s, touch\u00e9s, contempl\u00e9s. Ils ne cherchent pas l\u2019esth\u00e9tisme parfait, mais une v\u00e9rit\u00e9 organique, faite de feu, de mati\u00e8re, de vide et de silence.<\/p>\n\n\n\n

Kai n\u2019a jamais re\u00e7u d\u2019instruction formelle, son p\u00e8re ne lui donnant que peu de conseils. Son style se distingue par sa libert\u00e9 cr\u00e9ative et son approche intuitive. Par exemple, il a con\u00e7u un vase Iga-yaki qui se casse naturellement gr\u00e2ce \u00e0 l\u2019influence d\u2019un tube cuit \u00e0 basse temp\u00e9rature \u00e0 l’int\u00e9rieur de la pi\u00e8ce. Ce type d\u2019exp\u00e9rimentation est typique de sa mani\u00e8re de travailler : il ne cherche pas \u00e0 reproduire un mod\u00e8le mais \u00e0 exp\u00e9rimenter et \u00e0 laisser ses cr\u00e9ations se d\u00e9velopper d\u2019elles-m\u00eames.<\/p>\n<\/div>

\"Kai<\/figure><\/div>\n\n\n\n
\"Grand<\/figure>
\n

<\/p>\n\n\n\n

Il voit la poterie comme un moyen d\u2019expression personnelle, sans chercher \u00e0 plaire \u00e0 un public. Il n\u2019a pas de m\u00e9thode fig\u00e9e, et se laisse guider par son intuition et ses d\u00e9sirs. Le processus de cr\u00e9ation est pour lui plus important que le r\u00e9sultat final. L\u2019objectif est de produire quelque chose qui le satisfait pleinement, sans contrainte ext\u00e9rieure.<\/p>\n\n\n\n

En plus de la poterie, Kai est passionn\u00e9 de p\u00eache, une activit\u00e9 qui l\u2019inspire et qu\u2019il consid\u00e8re comme similaire \u00e0 la cr\u00e9ation artistique : un moyen de trouver de la satisfaction personnelle. Il fabrique m\u00eame ses propres leurres et cannes \u00e0 p\u00eache. Pour lui, la cr\u00e9ation et la p\u00eache offrent une forme d\u2019accomplissement que l\u2019on ne peut obtenir ailleurs. <\/p>\n\n\n\n

\u00ab\u00a0Ce moment, cet instant, deviennent forme \u2013 naturellement, librement, comme le c\u0153ur le d\u00e9sire\u00a0\u00bb. Ses \u0153uvres, tout comme sa philosophie de vie, sont un m\u00e9lange de force et de fragilit\u00e9, de libert\u00e9 et de contr\u00f4le. C\u2019est un artisan qui agit sans se soucier des conventions, \u00e0 la recherche constante de l\u2019authenticit\u00e9 et de la satisfaction personnelle.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Kai TSUJIMURA en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1994 : D\u00e9bute sa carri\u00e8re aupr\u00e8s de son p\u00e8re, le c\u00e9l\u00e8bre c\u00e9ramiste Shir\u014d TSUJIMURA.<\/p>\n\n\n\n

2000 : Construit son propre four \u00e0 Sakurai, dans le sud de Nara, marquant le d\u00e9but de sa carri\u00e8re ind\u00e9pendante.<\/p>\n\n\n\n

2001 : Organise sa premi\u00e8re exposition personnelle \u00e0 la galerie Utsuwa Nanohana \u00e0 Odawara.<\/p>\n\n\n\n

Collection Publique : Grande jarre pour la collection permanente du Minneapolis Institute of Arts, Minnesota.
et le Philadelphia Museum of Art, Pennsylvanie.<\/p>\n\n\n\n

2025 : Premi\u00e8re Exposition \u00e0 Paris avec son fr\u00e8re Yui, \u00e0 La Galerie Guilhem, Paris 11\u00e8me<\/p>\n<\/div>

\"Kai<\/figure><\/div>\n\n\n\n

Source des photos et des textes : Kai TSUJIMURA et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Kai TSUJIMURA et ses cr\u00e9ations (1976-) Originaire de Nara. Kai est le fils cadet du c\u00e9l\u00e8bre potier Shir\u014d TSUJIMURA \u8fbb\u6751\u53f2\u6717, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[234,232,238,236,230,237,235,231,239],"class_list":["post-33265","post","type-post","status-publish","format-standard","hentry","category-ceramistes","tag-art-de-la-table-en-poterie","tag-ceramique-artisanale","tag-creations-en-poterie","tag-objets-en-ceramique","tag-poterie-artisanale","tag-poterie-dart","tag-poterie-decorative","tag-poterie-faite-main","tag-poterie-unique"],"yoast_head":"\nKai TSUJIMURA - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Kai TSUJIMURA \u8fbb\u6751\u584a est \u00e0 Nara, dans la pr\u00e9fecture de Nara. 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