{"id":33258,"date":"2025-03-25T22:36:44","date_gmt":"2025-03-25T21:36:44","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=33258"},"modified":"2025-09-09T23:24:27","modified_gmt":"2025-09-09T21:24:27","slug":"yui-tsujimura","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/yui-tsujimura\/","title":{"rendered":"Rencontre avec Yui TSUJIMURA \u8fbb\u6751\u552f C\u00e9ramiste japonais \u00e0 Nara"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Yui<\/figure>
\n

<\/p>\n\n\n\n

Yui TSUJIMURA et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1975-)<\/p>\n\n\n\n

Originaire de Nara. Yui grandit au c\u0153ur d\u2019un environnement enti\u00e8rement d\u00e9di\u00e9 \u00e0 la c\u00e9ramique. Fils du c\u00e9l\u00e8bre potier Shir\u014d TSUJIMURA \u8fbb\u6751\u53f2\u6717, il est d\u00e8s son plus jeune \u00e2ge immerg\u00e9 dans l\u2019univers de la terre, du feu et des formes. Il devient l\u2019\u00e9l\u00e8ve de son p\u00e8re, s\u2019initiant \u00e0 la poterie de mani\u00e8re plus s\u00e9rieuse et approfondie. Il partage \u00e9galement cette voie avec son fr\u00e8re Kai TSUJIMURA \u8fbb\u6751\u584a, lui aussi potier, formant ensemble une v\u00e9ritable famille d\u2019artisans c\u00e9ramistes.<\/p>\n\n\n\n

Yui construit son propre four \u00e0 Mima, dans la pr\u00e9fecture de Nara, et entame une carri\u00e8re ind\u00e9pendante. D\u00e8s 2003, il pr\u00e9sente sa premi\u00e8re exposition personnelle au grand magasin Hankyu \u00e0 \u014csaka. Depuis, il expose r\u00e9guli\u00e8rement au Japon, \u00e0 un rythme d\u2019environ trois expositions par an dans tout le pays. Son travail est profond\u00e9ment marqu\u00e9 par la recherche d\u2019un \u00e9quilibre entre tradition et expression contemporaine.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0Attir\u00e9 par les formes et les textures terreuses des Sueki et Hajiki anciens, j\u2019ai, sur les conseils de mon p\u00e8re Shir\u014d, tent\u00e9 pour la premi\u00e8re fois une cuisson en forte r\u00e9duction vers le milieu de ma vingtaine. Le r\u00e9sultat fut une surface blanche, parsem\u00e9e de gla\u00e7ure naturelle brillante, comme \u00e9tincelante. C\u2019\u00e9tait une poterie \u00e0 la fois empreinte de l\u2019atmosph\u00e8re des vieux Sueki et marqu\u00e9e par une fra\u00eecheur nouvelle \u00ab\u00a0une \u0153uvre in\u00e9dite\u00a0\u00bb, qui m\u2019a imm\u00e9diatement captiv\u00e9. Depuis, cette passion ne m\u2019a plus quitt\u00e9.\u00a0\u00bb<\/p>\n\n\n\n

Lorsque des cendres tombent naturellement sur une pi\u00e8ce pendant la cuisson dans un nouveau four, et qu\u2019elles fondent sur sa surface, on parle alors de gla\u00e7ure naturelle (shizen y\u016b). Ce proc\u00e9d\u00e9 donne naissance \u00e0 des pi\u00e8ces aux surfaces lumineuses et vivantes, souvent impr\u00e9visibles, avec des nuances de verts, blancs et gris bleut\u00e9s. Yui utilise des argiles blanches d\u2019Iga ou de Shigaraki, m\u00e9lang\u00e9es avec des terres de montagne selon les formes. Ses pi\u00e8ces sont tourn\u00e9es dans une esth\u00e9tique brute, parfois rustique, mais toujours d\u2019une grande sensibilit\u00e9, laissant la nature et le hasard du feu participer pleinement \u00e0 l\u2019\u0153uvre.<\/p>\n<\/div>

\"Yui<\/figure><\/div>\n\n\n\n
\"Yui<\/figure>
\n

<\/p>\n\n\n\n

\u00ab\u00a0M\u00eame en utilisant la m\u00eame terre et en pensant cuire de mani\u00e8re identique, le degr\u00e9 de r\u00e9duction modifie \u00e0 chaque fois l\u2019apparence des pi\u00e8ces. C\u2019est cette part d\u2019impr\u00e9vu, cette possibilit\u00e9 de rencontrer des \u0153uvres qui d\u00e9passent mes propres intentions, qui me fascine.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Comme les gla\u00e7ures naturelles claires sont l\u2019un des points forts de mon travail, j\u2019utilise principalement de l\u2019argile blanche d\u2019Iga ou de Shigaraki, peu riche en fer et qui cuit en blanc. J\u2019y ajoute, selon les pi\u00e8ces, de la terre de montagne pour que la forme finale s\u2019impose sans contrainte.\u00a0\u00bb<\/p>\n\n\n\n

En 2010, une de ses \u0153uvres majeures \u2013 un grand pot \u00e0 gla\u00e7ure naturelle \u2013 est entr\u00e9e dans les collections permanentes du Metropolitan Museum of Art \u00e0 New York, marquant sa reconnaissance sur la sc\u00e8ne internationale. Depuis, ses cr\u00e9ations ont \u00e9t\u00e9 expos\u00e9es dans plusieurs pays, et il continue de participer \u00e0 des expositions majeures, tant au Japon qu\u2019\u00e0 l\u2019\u00e9tranger.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Yui TSUJIMURA<\/strong><\/strong> en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1993 : Devient l’\u00e9l\u00e8ve de son p\u00e8re, Shir\u014d TSUJIMURA,
et entre pleinement dans le monde de la c\u00e9ramique.<\/p>\n\n\n\n

2000 : Construisit son propre four \u00e0 Mima, dans la
pr\u00e9fecture de Nara, et devient ind\u00e9pendant.<\/p>\n\n\n\n

2003 : Tient sa premi\u00e8re exposition personnelle au
grand magasin Hankyu d’\u014csaka.<\/p>\n\n\n\n

2010 : Entr\u00e9e d’un Grand pot dans les collections permanentes du Metropolitan Museum of Art \u00e0 New York.<\/p>\n\n\n\n

2025 : Premi\u00e8re Exposition \u00e0 Paris avec son fr\u00e8re Kai,
\u00e0 La Galerie Guilhem, Paris 11\u00e8me.<\/p>\n\n\n\n

\u00ab\u00a0Tout comme on peut \u00eatre \u00e9mu en contemplant la mer, la montagne, le lever ou le coucher du soleil, j\u2019aimerais cr\u00e9er des poteries capables de toucher m\u00eame ceux qui n\u2019ont aucune connaissance en la mati\u00e8re.\u00a0\u00bb<\/p>\n<\/div>

\"Yui<\/figure><\/div>\n\n\n\n

Source des photos et des textes : Yui TSUJIMURA et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Yui TSUJIMURA et ses cr\u00e9ations (1975-) Originaire de Nara. Yui grandit au c\u0153ur d\u2019un environnement enti\u00e8rement d\u00e9di\u00e9 \u00e0 la c\u00e9ramique. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-33258","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nYui TSUJIMURA - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Yui TSUJIMURA \u8fbb\u6751\u552f est \u00e0 Nara, dans la pr\u00e9fecture de Nara. 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