{"id":32597,"date":"2025-02-11T19:03:23","date_gmt":"2025-02-11T18:03:23","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=32597"},"modified":"2025-09-11T18:37:32","modified_gmt":"2025-09-11T16:37:32","slug":"hideki-yanashita","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/hideki-yanashita\/","title":{"rendered":"Rencontre avec Hideki YANASHITA \u67f3\u4e0b\u5b63\u5668 C\u00e9ramiste japonais \u00e0 Iga"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Hideki<\/figure>
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<\/p>\n\n\n\n

Hideki YANASHITA et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1967-)<\/p>\n\n\n\n

Originaire de Tokyo. D\u00e8s son plus jeune \u00e2ge, il s\u2019int\u00e9resse aux arts et au design, ce qui le conduit \u00e0 poursuivre des \u00e9tudes \u00e0 l\u2019Institut de design Kuwasawa, une \u00e9cole de renom au Japon. Contrairement \u00e0 de nombreux c\u00e9ramistes japonais qui h\u00e9ritent souvent d\u2019un savoir-faire familial, YANASHITA san n\u2019a pas grandi dans une lign\u00e9e de potiers. Son parcours dans la c\u00e9ramique est le fruit d\u2019une qu\u00eate personnelle et d\u2019une passion profonde pour les textures, les formes et les philosophies esth\u00e9tiques du Japon.<\/p>\n\n\n\n

Apr\u00e8s ses \u00e9tudes, il d\u00e9cide de se former au centre de la c\u00e9ramique japonaise traditionnelle et contemporaine, \u00e0 Shigaraki, une des six grandes traditions c\u00e9ramiques du Japon. Cette p\u00e9riode de formation lui permet de s\u2019impr\u00e9gner des techniques de cuisson au bois et de la philosophie du Wabi-Sabi, qui influence profond\u00e9ment son travail par la suite.<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

Il s\u2019installe ensuite \u00e0 Iga, dans la pr\u00e9fecture de Mie, o\u00f9 il construit son propre four \u00e0 flamme directe, baptis\u00e9 le four Jinden-gama \u795e\u7530\u7aaf. Cette installation marque un tournant majeur dans son travail, car elle lui permet d\u2019exp\u00e9rimenter librement les effets de la flamme et des cendres sur ses pi\u00e8ces.<\/p>\n\n\n\n

En 2007, il approfondit ses connaissances sous la direction du c\u00e9ramiste Sadamitsu SUGIMOTO \u6749\u672c\u8c9e\u5149, qui lui transmet un savoir pr\u00e9cieux sur la technique du Raku et l\u2019approche plus spirituelle de la fabrication des bols \u00e0 th\u00e9.<\/p>\n\n\n\n

Le travail de Hideki s\u2019inscrit dans la tradition du Wabi-Sabi, un concept esth\u00e9tique japonais qui c\u00e9l\u00e8bre la beaut\u00e9 de l\u2019imperfection, du vieillissement et de la simplicit\u00e9. Ses \u0153uvres refl\u00e8tent une approche intuitive et m\u00e9ditative de la c\u00e9ramique, o\u00f9 chaque pi\u00e8ce raconte une histoire \u00e0 travers ses fissures, ses irr\u00e9gularit\u00e9s et ses nuances de couleur. Yanashita san travaille principalement avec quatre styles distincts :<\/p>\n<\/div>

\"Hideki<\/figure><\/div>\n\n\n\n
\"Hideki<\/figure>
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<\/p>\n\n\n\n

Le Raku \u697d\u713c : Inspir\u00e9 de la tradition du raku-yaki, utilis\u00e9e pour les bols \u00e0 th\u00e9 du rituel du Chanoyu, il fa\u00e7onne des pi\u00e8ces qui incarnent la simplicit\u00e9 et la spontan\u00e9it\u00e9. Il r\u00e9alise des bols \u00e0 th\u00e9 noirs, rouges et blancs, dont certains sont inspir\u00e9s de formes naturelles comme le mont Fuji. Le processus de cuisson rapide du Raku, qui consiste \u00e0 retirer les pi\u00e8ces incandescentes du four et \u00e0 les refroidir brusquement, cr\u00e9e des craquelures uniques et des variations de surface impr\u00e9visibles.<\/p>\n\n\n\n

Le Yakishime \u713c\u7de0 : Cette cuisson \u00e0 haute temp\u00e9rature sans gla\u00e7ure met en valeur la texture brute de l\u2019argile. Son four \u00e0 flamme directe lui permet de jouer avec l\u2019effet des cendres et de la r\u00e9duction, cr\u00e9ant des surfaces subtiles allant du brun rouge\u00e2tre aux nuances noires et grises profondes. Cette approche est inspir\u00e9e de Bizen, Shigaraki et Iga.<\/p>\n\n\n\n

L\u2019Ido \u4e95\u6238\u8336\u7897 : Il cr\u00e9e des bols \u00e0 th\u00e9 influenc\u00e9s par les c\u00e9l\u00e8bres Ido Chawan. Des bols cor\u00e9ens adopt\u00e9s par les ma\u00eetres de th\u00e9 japonais pour leur rusticit\u00e9 et leur forme irr\u00e9guli\u00e8re. Ses bols sont asym\u00e9triques et pr\u00e9sentent des \u00e9maux doux et laiteux qui \u00e9voquent le passage du temps.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

L\u2019Oribe \u7e54\u90e8\u713c : Inspir\u00e9 de la c\u00e9ramique du ma\u00eetre de th\u00e9 Furuta ORIBE (1544-1615), il utilise des gla\u00e7ures vertes profondes et des formes expressives. Ses pi\u00e8ces Oribe sont souvent d\u00e9cor\u00e9es de motifs abstraits et de formes anguleuses, contrastant avec ses autres \u0153uvres plus organiques.<\/p>\n\n\n\n

Chaque pi\u00e8ce de Hideki YANASHITA est fa\u00e7onn\u00e9e \u00e0 la main, souvent avec une approche instinctive qui laisse place \u00e0 des irr\u00e9gularit\u00e9s volontairement assum\u00e9es.<\/p>\n\n\n\n

Son travail met en avant des cuissons longues et lentes\u00a0: particuli\u00e8rement pour ses pi\u00e8ces Yakishime, qui n\u00e9cessitent plusieurs jours dans son four \u00e0 bois afin d\u2019obtenir des surfaces riches et vari\u00e9es. <\/p>\n\n\n\n

Le fa\u00e7onnage au tour et \u00e0 la main, bien qu\u2019il utilise le tour de potier, il favorise souvent des finitions manuelles pour cr\u00e9er des formes organiques.<\/p>\n<\/div>

\"Hideki<\/figure><\/div>\n\n\n\n
\"Hideki<\/figure>
\n

<\/p>\n\n\n\n

L\u2019utilisation d\u2019argiles naturelles, il s\u00e9lectionne soigneusement ses argiles, en fonction de la porosit\u00e9 et de la r\u00e9action \u00e0 la flamme. Il utilise 3 fours : Four Anagama (5 jours de cuisson), Four \u00e0 bois (2-3 jours de cuisson) et Imayakigama (3-4 heures de cuisson, plus de 10 fois par an).<\/p>\n\n\n\n

Hideki Yanashita est un c\u00e9ramiste qui incarne parfaitement l\u2019alliance entre tradition et innovation. \u00c0 travers ses explorations, il r\u00e9interpr\u00e8te des techniques s\u00e9culaires tout en leur insufflant une sensibilit\u00e9 contemporaine.<\/p>\n\n\n\n

Son approche intuitive et son respect de l\u2019esth\u00e9tique Wabi-Sabi font de lui un artiste incontournable dans le monde de la c\u00e9ramique japonaise contemporaine. Ses \u0153uvres, empreintes de simplicit\u00e9 et de profondeur, s\u2019adressent autant aux amateurs d\u2019art qu\u2019aux pratiquants du Chanoyu, perp\u00e9tuant ainsi une tradition vivante et en constante \u00e9volution. Son inspiration est li\u00e9e au Fueki Ryuko \u4e0d\u6613\u6d41\u884c<\/mark><\/a> et \u00e0 l’\u00e9poque Momoyama.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Hideki YANASHITA<\/strong><\/strong> en quelques dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

Depuis 2002 : Galerie Takashimaya (Yokohama, Ky\u014dto, \u014csaka). Matsuya Ginza (Tokyo). HULS Gallery Tokyo et Singapour, sp\u00e9cialis\u00e9e dans la c\u00e9ramique d\u2019exception.
TOBETOBEKUSA.<\/p>\n\n\n\n

2007 : Formation sous la direction du c\u00e9ramiste Sadamitsu SUGIMOTO \u6749\u672c\u8c9e\u5149<\/p>\n\n\n\n

2023 : Exposition majeure de ses \u0153uvres \u00e0 la galerie TOBETOBEKUSA, illustrant son engagement dans l\u2019\u00e9volution de la c\u00e9ramique japonaise contemporaine.<\/p>\n\n\n\n

\u00ab\u00a0Depuis que j’ai \u00e9t\u00e9 inspir\u00e9 par l’univers du Wabi-Sabi de la p\u00e9riode Momoyama, je n\u2019ai cess\u00e9 d\u2019approfondir ma propre compr\u00e9hension de cette vision du monde. Je travaille avec des mat\u00e9riaux modernes et cr\u00e9e des poteries en qu\u00eate de nouvelles \u00e9volutions qui ne seront pas emport\u00e9es par les courants de notre \u00e9poque.\u00a0\u00bb<\/p>\n<\/div>

\"Hideki<\/figure><\/div>\n\n\n\n

Source des photos et des textes : Hideki YANASHITA et Yann san<\/p>\n\n\n\n

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Hideki YANASHITA et ses cr\u00e9ations (1967-) Originaire de Tokyo. D\u00e8s son plus jeune \u00e2ge, il s\u2019int\u00e9resse aux arts et au […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[234,232,238,236,230,237,235,231,239],"class_list":["post-32597","post","type-post","status-publish","format-standard","hentry","category-ceramistes","tag-art-de-la-table-en-poterie","tag-ceramique-artisanale","tag-creations-en-poterie","tag-objets-en-ceramique","tag-poterie-artisanale","tag-poterie-dart","tag-poterie-decorative","tag-poterie-faite-main","tag-poterie-unique"],"yoast_head":"\nHideki YANASHITA - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Hideki YANASHITA \u67f3\u4e0b\u5b63\u5668 est \u00e0 Iga, dans la pr\u00e9fecture de Mie. 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