{"id":3115,"date":"2022-03-07T01:05:10","date_gmt":"2022-03-07T00:05:10","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=3115"},"modified":"2025-08-08T00:00:35","modified_gmt":"2025-08-07T22:00:35","slug":"sara-mauvilly","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/sara-mauvilly\/","title":{"rendered":"Rencontre avec Sara MAUVILLY C\u00e9ramiste fran\u00e7aise \u00e0 Bagnolet"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Sara<\/figure>
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<\/p>\n\n\n\n

Sara MAUVILLY et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1976-)<\/p>\n\n\n\n

\u00ab\u00a0Originaire de Paris et apr\u00e8s 20 ann\u00e9es pass\u00e9es dans le secteur de la Mode et du Luxe, derni\u00e8rement en tant que responsable de distribution chez Louis Vuitton, je d\u00e9cide en 2020 de fonder mon atelier de c\u00e9ramique dans l\u2019est parisien.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Un changement de vie en lien avec ma passion pour les m\u00e9tiers d\u2019art, ayant \u00e0 c\u0153ur de d\u00e9velopper ma pratique de la c\u00e9ramique, sous influence japonaise, recommenc\u00e9e 15 ans plus t\u00f4t.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0C\u00e9ramiste artisane d\u2019art : Je me consid\u00e8re comme c\u00e9ramiste car j\u2019aime autant le travail de la terre, que celui des \u00e9maux. Artisane d\u2019art, car je travaille de mes mains, selon un savoir-faire et des techniques acquises au fil des ann\u00e9es. Je laisse libre cours \u00e0 mon imagination et mon sentiment guide mes gestes pour confectionner des pi\u00e8ces uniques et personnelles.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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\u00ab\u00a0J\u2019ai 9 ans quand je d\u00e9couvre le travail de la terre, en prenant mes premiers cours de modelage \u00e0 l\u2019atelier de l\u2019Engobe Bleu, dans le Val d\u2019Oise. Un coup de foudre imm\u00e9diat\u00a0! J\u2019ai repris contact avec l\u2019argile en 2007, l\u2019ann\u00e9e de mes 30 ans, cherchant \u00e0 renouer avec cette pratique d\u2019enfance qui m\u2019avait tant marqu\u00e9e.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Je viens alors d\u2019emm\u00e9nager dans le 11\u00e8me arrondissement de Paris, et je d\u00e9couvre gr\u00e2ce \u00e0 des amis potiers de Hollande, qu\u2019un atelier est install\u00e9 \u00e0 deux pas de chez moi. L\u2019atelier Terre de Lune, rue Oberkampf, o\u00f9 je rencontre Annie METZGER, c\u00e9ramiste d\u2019exp\u00e9rience, elle-m\u00eame form\u00e9e au Japon.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Annie va alors m\u2019initier \u00e0 toutes les techniques apprises au Japon\u00a0: modelage, pinc\u00e9, plaque, mais aussi au tournage. Je tourne donc dans le sens japonais (sens des aiguilles d\u2019une montre), et tr\u00e8s souvent \u00e0 la motte.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Annie Metzger, elle-m\u00eame form\u00e9e \u00e0 la pratique des \u00e9maux par Helena KLUG, dans la tradition de Daniel de MONTMOLLIN, va me transmettre son savoir, et ses m\u00e9thodes de recherche. Je d\u00e9couvre l\u2019univers des gla\u00e7ures en cuisson de grand feu \u00e0 plus de 1250\u00b0.\u00a0\u00bb<\/p>\n<\/div>

\"Sara<\/figure><\/div>\n\n\n\n
\"Sara<\/figure>
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<\/p>\n\n\n\n

\u00ab\u00a0Dans une pratique hebdomadaire de 15 ans \u00e0 l\u2019atelier, j\u2019apprends petit \u00e0 petit ce qui va devenir en 2020, mon nouveau m\u00e9tier.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Je cr\u00e9\u00e9 des objets utilitaires pour la vie de tous les jours, pour la table ou la maison, guid\u00e9e par mon interpr\u00e9tation personnelle de l\u2019esth\u00e9tique japonaise.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0\u00c9pur\u00e9, s\u00e9r\u00e9nit\u00e9 et simplicit\u00e9 des formes, tout en recherchant l\u2019harmonie entre la forme et la couleur, en accord avec la nature et le cycle de saisons. J\u2019aime la proximit\u00e9 et l\u2019intimit\u00e9 que l\u2019on peut cr\u00e9er avec un objet, utilis\u00e9 au quotidien.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Mon inspiration de cr\u00e9ation au quotidien vient principalement de la nature (terre, min\u00e9raux, v\u00e9g\u00e9taux) et des saisons. En d\u00e9couvrant les bols chawan Raku que j\u2019ai ressenti mes premi\u00e8res \u00e9motions esth\u00e9tiques. Je suis une profonde admiratrice de l\u2019\u0153uvre de Lucie RIE et d\u2019Alain VERNIS. C\u00f4t\u00e9 \u00e9mail, je suis touch\u00e9e par l\u2019\u0153uvre de Jean CARRI\u00c8S, c\u00e9ramiste du 19\u00e8me<\/sup> si\u00e8cle, tr\u00e8s influenc\u00e9 par les gr\u00e8s japonais, et par Jean GIREL pour la cr\u00e9ation contemporaine.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0J’utilise un four \u00e9lectrique de la marque Rohde<\/a>. Mes \u00e9maux pr\u00e9f\u00e9r\u00e9s sont les shino et les c\u00e9ladons, qui s\u2019obtiennent en cuisson r\u00e9ductrice. Je n\u2019ai pas l\u2019autorisation de cuire au gaz dans le b\u00e2timent qui abrite mon atelier. Je tente par mes recherches d\u2019\u00e9maux et de superposition de m\u2019approcher des effets de la r\u00e9duction, \u00e0 travers une cuisson neutre\/oxydante.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Le four \u00e9lectrique a pour double avantage une faible consommation \u00e9nerg\u00e9tique, et une grande stabilit\u00e9 de mont\u00e9e en temp\u00e9rature. Cela me permet des exp\u00e9riences d\u2019\u00e9maux en ayant au moins quelques param\u00e8tres stabilis\u00e9s (temp\u00e9ratures).\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Les cuissons durent une dizaine d\u2019heure, puis j\u2019attends en g\u00e9n\u00e9ral quelques jours le refroidissement complet du four pour ne pas cr\u00e9er de choc thermique sur les pi\u00e8ces et les r\u00e9sistances du four.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Chaque ouverture de four est un moment riche en \u00e9motions. Ce moment de d\u00e9couverte du travail du feu. C\u2019est vraiment l\u2019endroit, le four, o\u00f9 je maitrise le moins la transformation de la pi\u00e8ce qui est souvent radicale. J\u2019apprends le plus par de bonnes surprises, des d\u00e9ceptions et des confirmations.\u00a0\u00bb<\/p>\n<\/div>

\"Sara<\/figure><\/div>\n\n\n\n
\"Sara<\/figure>
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<\/p>\n\n\n\n

\u00ab\u00a0Je cr\u00e9e moi-m\u00eame mes propres couleurs \u00e0 partir de mat\u00e9riaux naturels et pigments d\u2019origine min\u00e9rale. J\u2019utilise des engobes \u00e0 base de cendre, d\u2019argile, d\u2019ocres. Mes \u00e9maux sont des \u00e9maux dits de \u00ab\u00a0grand feu\u00a0\u00bb, ou de haute temp\u00e9rature (fusion \u00e0 1280-1300 degr\u00e9s). Les recettes sont originales \u00e0 l\u2019atelier.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Je ne r\u00e9alise quasiment jamais deux fois la m\u00eame pi\u00e8ce. Je travaille quasiment exclusivement en pi\u00e8ce unique ou en micro s\u00e9rie de 5\/6 pi\u00e8ces maximum. J\u2019aime l\u2019unicit\u00e9 et la personnalit\u00e9 de chaque pi\u00e8ce, qui est par ailleurs num\u00e9rot\u00e9e.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Quant aux couleurs, oui j\u2019aime particuli\u00e8rement suivre l\u2019inspiration de la nature et de saisons, qui m\u2019influencent fortement dans mes envies de cr\u00e9ation du moment.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J\u2019aime transmettre ce que j\u2019ai appris. Je propose une journ\u00e9e de cours par semaine de modelage et tournage \u00e0 l\u2019atelier, en petit comit\u00e9 de 4\/5 \u00e9l\u00e8ves, pour un suivi sur mesure pour chacun et chacune selon ses projets.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0Cette activit\u00e9 de transmission est une part essentielle de mon travail d\u2019artisane c\u00e9ramiste. J\u2019ai re\u00e7u beaucoup de la part d\u2019Annie Metzger, et je peux aujourd\u2019hui commencer \u00e0 transmettre que ce soit en modelage, tournage ou la pratique des \u00e9maux haute temp\u00e9rature.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Tout artisanat d\u2019art suppose un apprentissage long et r\u00e9p\u00e9t\u00e9 des gestes en atelier, il est aujourd\u2019hui \u00e0 l\u2019oppos\u00e9 de nos vies de plus en plus digitalis\u00e9e\u00a0; cette relation directe \u00e0 la mati\u00e8re permet de reprendre contact avec le travail manuel, l\u2019intelligence des mains, l\u2019adaptation au rythme lent de transformation de l\u2019argile sous les doigts.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Adepte de pi\u00e8ces uniques et de micro s\u00e9ries, c\u2019est l\u2019ad\u00e9quation et l\u2019\u00e9quilibre entre la terre, la technique, et l\u2019\u00e9mail utilis\u00e9s qui me passionne. Je cherche \u00e0 ce que chaque pi\u00e8ce, non exactement reproductible, d\u00e9gage une \u00e2me et une personnalit\u00e9 particuli\u00e8re, qui parlera \u00e0 celle ou celui qui la choisira.\u00a0\u00bb<\/p>\n<\/div>

\"Sara<\/figure><\/div>\n\n\n\n
\"Sara<\/figure>
\n

<\/p>\n\n\n\n

\u00ab\u00a0Dans ma pratique de c\u00e9ramiste, j\u2019aime tout particuli\u00e8rement entrer en dialogue, \u00e0 travers mes mains, avec la terre, en interaction constante avec les autres \u00e9l\u00e9ments, l\u2019eau et l\u2019air.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Au moment du modelage ou du tournage, j\u2019ai la sensation de rentrer en dialogue intime avec l\u2019argile\u00a0: \u00a0je suis en ma\u00eetrise de mon savoir-faire technique dans une intention de forme \u00e0 r\u00e9aliser, mais en m\u00eame temps, je cherche \u00e0 suivre la plasticit\u00e9 du gr\u00e8s qui m\u2019indique un chemin \u00e0 suivre.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0En d\u2019autres termes j\u2019aime \u00e9couter la mati\u00e8re, tout en ayant une intention premi\u00e8re de forme. Je ne cr\u00e9\u00e9e donc jamais deux fois exactement la m\u00eame pi\u00e8ce.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0La relation au \u00ab\u00a0feu\u00a0\u00bb, m\u00eame \u00e9lectrique, est tout autre, car je m\u2019en remets \u00e0 ce dernier, au cours de la cuisson haute temp\u00e9rature\u00a0; je suis alors pr\u00eate \u00e0 toutes les surprises et exp\u00e9rimentations. Je travaille en amont sur la composition chimique des \u00e9maux, sur leurs associations possibles, sur une ad\u00e9quation couleur \/ forme, puis c\u2019est le \u00ab\u00a0feu\u00a0\u00bb qui d\u00e9cide du r\u00e9sultat final.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

Sara MAUVILLY en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1985 : Premier cours de modelage \u00e0 l\u2019atelier de L\u2019Engobe Bleu, Val d\u2019Oise.<\/p>\n\n\n\n

2001 : Premier voyage au Japon et participation \u00e0 une c\u00e9r\u00e9monie du th\u00e9 \u00e0 Ky\u014dto o\u00f9 elle d\u00e9couvre l\u2019utilisation des Chawan.<\/p>\n\n\n\n

2007 : Rencontre avec Annie Metzger<\/a>, c\u00e9ramiste form\u00e9e au Japon, et dont elle sera l\u2019\u00e9l\u00e8ve pendant 15 ans \u00e0 Paris.<\/p>\n\n\n\n

2012 : Formation \u00e0 la recherche et cr\u00e9ations d\u2019\u00e9maux de haute temp\u00e9rature selon la m\u00e9thode de Daniel de Montmollin<\/a>.<\/p>\n\n\n\n

2020 : Cr\u00e9ation de son atelier personnel, Argile124, \u00e0 Bagnolet et en 2023, cr\u00e9ation de \u00ab\u00a0La Galerie Guilhem\u00a0\u00bb 8 rue du G\u00e9n\u00e9ral Guilhem Paris 11\u00e8me.<\/p>\n<\/div>

\"Sara<\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n

Source des photos : Anne-Emmanuelle THION<\/a> pour Sara MAUVILLY<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Sara MAUVILLY et ses cr\u00e9ations (1976-) \u00ab\u00a0Originaire de Paris et apr\u00e8s 20 ann\u00e9es pass\u00e9es dans le secteur de la Mode […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-3115","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nSara MAUVILLY - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Sara MAUVILLY est \u00e0 Bagnolet, \u00e0 l'est de Paris, en \u00cele de France. 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