{"id":25768,"date":"2024-02-20T23:06:09","date_gmt":"2024-02-20T22:06:09","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=25768"},"modified":"2025-09-23T00:30:47","modified_gmt":"2025-09-22T22:30:47","slug":"anne-gesret","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/anne-gesret\/","title":{"rendered":"Rencontre avec Anne GESRET C\u00e9ramiste fran\u00e7aise \u00e0 Paris"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Anne<\/figure>
\n

<\/p>\n\n\n\n

Anne GESRET et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1976-)<\/p>\n\n\n\n

Ayant grandi en Seine-et-Marne, pr\u00e8s de la for\u00eat de Fontainebleau, ce n\u2019est pas un hasard si elle a install\u00e9 son atelier parisien au pied du quartier \u00ab\u00a0la Campagne \u00e0 Paris\u00a0\u00bb et l\u2019a nomm\u00e9 \u00ab\u00a0l\u2019atelier For\u00eat\u00a0\u00bb.<\/p>\n\n\n\n

\u00ab\u00a0Je suis c\u00e9ramiste parce que je travaille la mati\u00e8re argile, mais je suis surtout poti\u00e8re : je cr\u00e9e des pots, formes famili\u00e8res qui ont un usage et qui font partie du quotidien. Ce mot, qu’on peut trouver d\u00e9mod\u00e9, est le plus pr\u00e9cis selon moi. Il refl\u00e8te le mieux mon travail et j’aime sa simplicit\u00e9.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J\u2019ai commenc\u00e9 \u00e0 faire de la poterie en cours du soir, en m’installant \u00e0 Paris pour mes \u00e9tudes de litt\u00e9rature. J’ai men\u00e9 ces deux apprentissages en parall\u00e8le et on peut dire que j’ai \u00e9t\u00e9 pendant une vingtaine d’ann\u00e9es une \u00ab\u00a0biblioth\u00e9caire-poti\u00e8re\u00a0\u00bb avant de me consacrer pleinement \u00e0 la c\u00e9ramique en 2023.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0Mes d\u00e9buts \u00e0 l\u2019atelier Mire, aujourd\u2019hui C\u00e9ramique-Paris<\/mark><\/a>, m\u2019ont sensibilis\u00e9e \u00e0 l\u2019artisanat et j\u2019y ai acquis les techniques de tournage, en commen\u00e7ant d’une mani\u00e8re tr\u00e8s traditionnelle, sur tour \u00e0 pied. Aupr\u00e8s d\u2019Annie Metzger<\/mark><\/a>, \u00e0 l\u2019Atelier Terre de Lune, j\u2019ai d\u00e9couvert des techniques et une inspiration venues du Japon, dont le tournage \u00e0 la motte et la conception des th\u00e9i\u00e8res. La pr\u00e9paration du CAP de tournage en compagnie de Gr\u00e9goire SCALABRE<\/mark><\/a> et Christophe BONNARD<\/mark><\/a> a renforc\u00e9 mon go\u00fbt pour le travail au tour et m\u2019a initi\u00e9e \u00e0 la recherche d\u2019\u00e9maux. La fr\u00e9quentation des poti\u00e8res, potiers (et des livres) continue de m\u2019apprendre tous les jours.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Je cherche \u00e0 fa\u00e7onner des pi\u00e8ces discr\u00e8tement belles et utiles, qui s’installent dans le quotidien mais que l’on se surprend \u00e0 admirer, et qui ne se d\u00e9modent pas. Je suis attach\u00e9e \u00e0 l\u2019ad\u00e9quation entre forme et fonction, d\u2019o\u00f9 surgit une certaine beaut\u00e9 selon moi. Mes bols, th\u00e9i\u00e8res et autres contenants sont en g\u00e9n\u00e9ral fins et l\u00e9gers, les formes et courbes sont travaill\u00e9es et les \u00e9maux privil\u00e9gient la douceur au toucher et au regard, dans des tons naturels.\u00a0\u00bb<\/p>\n<\/div>

\"Anne<\/figure><\/div>\n\n\n\n
\"Anne<\/figure>
\n

<\/p>\n\n\n\n

\u00ab\u00a0La simplicit\u00e9 des formes anciennes et domestiques, une couleur remarqu\u00e9e dans la nature ou dans une oeuvre d\u2019art, l\u2019\u00e9motion d\u2019un moment, d\u2019une rencontre, ou les saveurs d\u2019un plat magnifi\u00e9es par son contenant, voil\u00e0 ce qui m\u2019inspire.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0S’il fallait citer quelques c\u00e9ramistes que j’admire aujourd’hui, je nommerais Gwyn HANSSEN PIGOTT<\/mark><\/a>, c\u00e9ramiste australienne inspir\u00e9e par les c\u00e9ramiques chinoises et les natures mortes de Morandi, Tatsuz\u014d SHIMAOKA \u5cf6\u5ca1 \u9054\u4e09<\/mark><\/a> (tr\u00e9sor national vivant) et ancien \u00e9l\u00e8ve de Sh\u014dji HAMADA \u6ff1\u7530\u5e84\u53f8<\/mark><\/a> (fondateur du mouvement Mingei), mais aussi des c\u00e9ramistes contemporains comme Taro TABUCHI \u7530\u6df5\u592a\u90ce et ses porcelaines cuites au bois, Chie KOBAYASHI \u5c0f\u6797 \u5343\u6075 pour l’\u00e9motion surgie de ses porcelaines, Erna AALTONEN<\/mark><\/a> et ses surfaces et couleurs subtiles ou le travail expressif de Philipe DUBUC<\/mark><\/a>.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Je cuis en four \u00e9lectrique, parce qu\u2019on obtient de tr\u00e8s bons r\u00e9sultats avec ce type de mat\u00e9riel, facile \u00e0 utiliser et \u00e0 installer dans un atelier urbain. La cuisson haute temp\u00e9rature finale dure entre 8 et 9 heures, suivie d’un refroidissement d’environ 24 heures.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0Chaque ouverture de four est une surprise, m\u00eame avec des \u00e9maux stables et des cuissons ma\u00eetris\u00e9es. Je vais m’\u00e9merveiller d’un bleu particuli\u00e8rement profond, de la douceur d’un bol ou de l’effet inattendu d’une superposition.
Et malgr\u00e9 la ma\u00eetrise du processus, on rencontre toujours quelques d\u00e9ceptions lors de la cuisson finale haute temp\u00e9rature.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Je fabrique moi-m\u00eame les \u00e9maux, que je travaille non seulement pour leur couleur et leur aspect, mais aussi pour leur qualit\u00e9 tactile : doux au toucher, agr\u00e9ables \u00e0 manipuler. Je recherche des couleurs naturelles et porteuses d\u2019\u00e9motion, vert tendre et blanc satin\u00e9, bleu ou brun changeant, en \u00e9cho avec les caract\u00e9ristiques d\u2019une terre lisse et blanche ou bien brute et naturellement color\u00e9e.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Transmettre les savoir-faire, et surtout permettre \u00e0 chacune et chacun de d\u00e9couvrir son propre potentiel et le plaisir de cr\u00e9er, est important pour moi. Pour accompagner la d\u00e9couverte du mat\u00e9riau argile et mener \u00e0 bien des projets individuels, je propose des ateliers de d\u00e9couverte et d’approfondissement, ainsi que des stages th\u00e9matiques autour d’une forme ou d’une technique.\u00a0\u00bb<\/p>\n<\/div>

\"Porte-encens<\/figure><\/div>\n\n\n\n
\"Anne<\/figure>
\n

<\/p>\n\n\n\n

Anne GESRET en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1996 : Premi\u00e8re fois sur un tour \u00e0 pied \u00e0 l\u2019Atelier Mire, Paris.<\/p>\n\n\n\n

2001 : Premi\u00e8res ventes priv\u00e9es lors d\u2019un \u00ab\u00a0go\u00fbter-potier\u00a0\u00bb.<\/p>\n\n\n\n

2007 : Premier voyage au Japon, \u00ab Ceramic Tour \u00bb organis\u00e9 par Kayoko Hayasaki : d\u00e9couverte des ateliers japonais et de la place de la c\u00e9ramique dans le quotidien.<\/p>\n\n\n\n

2012 : CAP de tournage c\u00e9ramique, mais aussi apprentissage de la recherche d’\u00e9maux et du moulage pl\u00e2tre.<\/p>\n\n\n\n

2023 : Installation de l\u2019atelier For\u00eat \u00e0 Paris.<\/p>\n\n\n\n

\u00ab\u00a0C\u2019est l\u2019immense plaisir de travailler la mati\u00e8re qui est au coeur de ma relation \u00e0 la c\u00e9ramique. Il fait le lien entre la main et l\u2019esprit et j\u2019aime particuli\u00e8rement les moments o\u00f9 les gestes\u00a0s\u2019encha\u00eenent instinctivement, faisant totalement oublier la technique.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Source des photos et des textes : Anne GESRET et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Anne GESRET et ses cr\u00e9ations (1976-) Ayant grandi en Seine-et-Marne, pr\u00e8s de la for\u00eat de Fontainebleau, ce n\u2019est pas un […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-25768","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nAnne GESRET - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Anne GESRET est \u00e0 Paris, d\u00e9partement de Paris, \u00cele de France. 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