{"id":25251,"date":"2024-01-27T19:55:31","date_gmt":"2024-01-27T18:55:31","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=25251"},"modified":"2025-10-21T21:34:48","modified_gmt":"2025-10-21T19:34:48","slug":"shinichi-kotsuji","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/shinichi-kotsuji\/","title":{"rendered":"Rencontre avec Shinichi KOTSUJI \u5c0f\u8fbb\u771f\u4e00 C\u00e9ramiste japonais \u00e0 Iga"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Shinichi<\/figure>
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<\/p>\n\n\n\n

Shinichi KOTSUJI et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1964-)<\/p>\n\n\n\n

Originaire de la pr\u00e9fecture de Kumamoto, sur l’\u00eele de Ky\u016bsh\u016b. Il est \u00ab\u00a0Artiste potier\u00a0\u00bb parce qu’il cr\u00e9e des \u0153uvres uniques \u00e0 partir de sa propre sensibilit\u00e9 libre. Lorsqu’il \u00e9tait \u00e0 l’\u00e9cole primaire, il a d\u00e9couvert Shigaraki-yaki et a \u00e9t\u00e9 impressionn\u00e9 par sa texture.<\/p>\n\n\n\n

Apr\u00e8s avoir fond\u00e9 son entreprise, il d\u00e9m\u00e9nage \u00e0 Shiga ainsi qu’\u00e0 Ky\u014dto pour trouver le meilleur style de c\u00e9ramique dans lequel s’exprimer. Il acquiert des comp\u00e9tences au \u00ab\u00a0Shiga Prefecture Shigaraki Ceramic Technology Testing Center\u00a0\u00bb, dans la pr\u00e9fecture de Shiga. Il se formera \u00e0 la c\u00e9ramique Shigaraki-yaki pendant plus de 10 ans.<\/p>\n\n\n\n

\u00ab\u00a0Faites ce que vous avez envie de faire, comme vous le souhaitez, sans aucune d\u00e9coration. D’apr\u00e8s mon exp\u00e9rience, je pense que c’est l’aspect le plus dynamique et le plus int\u00e9ressant du travail, et j’en ai fait le c\u0153ur de mon style de production. Mon inspiration vient du trouble, de la nature, de la joie, du jeu et tout sur la vie.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0Un four \u00e9lectrique est utilis\u00e9 pour exprimer la sensation d’un four \u00e0 bois. En cuisant dans un four \u00e9lectrique, vous pouvez contr\u00f4ler le processus de cuisson d\u00e9licat. La Gla\u00e7ure aux cendres ou Kaiy\u016b \u7070\u91c9 est utilis\u00e9e dans mes \u00e9maux.\u00a0\u00bb<\/p>\n\n\n\n

Maintenant, il travaille \u00e0 Iga, en utilisant l’argile locale sableuse et rugueuse d’Iga dans la pr\u00e9fecture de Mie. Il est capable de tirer parti de la teneur \u00e9lev\u00e9e en fer de l’argile pour produire des points noirs sur la surface de la c\u00e9ramique.<\/p>\n\n\n\n

Le charme de l’argile brute d’Iga, c’est ce mat\u00e9riau unique et puissant. Il a une force, une simplicit\u00e9 et une chaleur que l\u2019on ne trouve dans aucune autre argile. Comme Yasunori KAWABATA \u5ddd\u7aef \u5eb7\u6210<\/mark><\/a>, un c\u00e9l\u00e8bre \u00e9crivain japonais, glorifiait l’ancien-Iga pour repr\u00e9senter le \u00ab\u00a0Wabi-Sabi\u00a0\u00bb (humble simplicit\u00e9 et beaut\u00e9), l’argile d’Iga est adapt\u00e9e pour exprimer les qualit\u00e9s esth\u00e9tiques japonaises.<\/p>\n<\/div>

\"Shinichi<\/figure><\/div>\n\n\n\n
\"Shinichi<\/figure>
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<\/p>\n\n\n\n

\u00ab\u00a0On dit que les ustensiles d’Iga sont apparus au Moyen \u00c2ge, lorsque les agriculteurs cuisaient des pots \u00e0 graines pour l’agriculture et d’autres ustensiles du quotidien.<\/p>\n\n\n\n

Au d\u00e9but du 17\u00e8me si\u00e8cle, lorsque la c\u00e9r\u00e9monie du th\u00e9 \u00e9tait florissante, les cruches \u00e0 eau et les vases appel\u00e9s \u00ab\u00a0vieux-Iga\u00a0\u00bb \u00e9taient appr\u00e9ci\u00e9s par de nombreux ma\u00eetres de th\u00e9, et Iga est devenue bien connue dans tout le pays.<\/p>\n\n\n\n

Cependant, au cours de la p\u00e9riode Edo (1603-1867), les ustensiles \u00e0 th\u00e9 ont progressivement disparu et les poteries qui constituent la base des ustensiles d’Iga d’aujourd’hui, comme les bols, les assiettes, les pots et autres ustensiles quotidiens, sont devenus populaires.<\/p>\n\n\n\n

Tandis que certains potiers recherchent la beaut\u00e9 du vieux-Iga, d’autres visent \u00e0 d\u00e9velopper un nouveau style de beaut\u00e9 ainsi que le vieux-Iga. Tous deux travaillent dur pour rechercher la meilleure forme et la meilleure texture, qui sont le style actuel d’Iga-yaki.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u00ab\u00a0La beaut\u00e9 de l’imperfection : Plus que la lune flottant dans le ciel nocturne sans nuages. Le sens japonais de la beaut\u00e9 est plus attrayant qu\u2019une lune sombre cach\u00e9e par des nuages et de la brume que dans une lune flottant sur un ciel nocturne sans nuages.<\/p>\n\n\n\n

Notre savoir-faire repose sur la beaut\u00e9 de l\u2019imperfection, in\u00e9gal, d\u00e9form\u00e9 ou rugueux. La beaut\u00e9 unique n\u00e9e de la force de l’argile, la sensibilit\u00e9 de l’artiste et le dynamisme du geste. C’est la beaut\u00e9 que nous recherchons.<\/p>\n\n\n\n

La texture de la poterie est rugueuse et grossi\u00e8re, mais \u00e7a donne envie d’y toucher. Il y a de belles traces de doigts qui semblent montrer les sentiments de l’artiste. Une harmonie de l’\u00e9clat humide et lisse avec l\u2019argile grossi\u00e8re. Tous ont une saveur profonde et c\u2019est ce qui fait le charme de la poterie Shunb\u014dgama \u6625\u840c\u7aaf.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Le seul et unique beau bleu : Mon oc\u00e9an pr\u00e9f\u00e9r\u00e9 \u00e0 Okinawa. Le ciel de ma ville natale, la mer agit\u00e9e du Japon que j’ai vu une fois. Un lac tranquille que j’ai visit\u00e9 avec ma famille. Par le bleu de la mer ou du ciel en tant que concept. Le bleu de ma mer, de mon ciel, de mon lac. Le bleu \u00e9voque le bleu au plus profond de l’humain c\u0153urs et souvenirs.\u00a0\u00bb<\/p>\n<\/div>

\"Bol<\/figure><\/div>\n\n\n\n
\"Shinichi<\/figure>
\n

<\/p>\n\n\n\n

Shinichi KOTSUJI en 3 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1991 : Cr\u00e9ation du four Shunb\u014dgama \u6625\u840c\u7aaf.<\/p>\n\n\n\n

2014 : A d\u00e9m\u00e9nag\u00e9 \u00e0 Iga, dans la pr\u00e9fecture de Mie.<\/p>\n\n\n\n

2021 : Naissance de la s\u00e9rie Bleue.<\/p>\n\n\n\n

\u00ab La texture rugueuse unique du sol d\u2019Iga est ce qui m\u2019a incit\u00e9 \u00e0 installer mon four ici. Mes \u0153uvres originales sont cr\u00e9\u00e9es avec une profonde inspiration tir\u00e9e chaque jour de la vue sur la campagne rurale sereine depuis le sommet de la colline. \u00bb<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Source des photos et des textes : Shinichi KOTSUJI et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Shinichi KOTSUJI et ses cr\u00e9ations (1964-) Originaire de la pr\u00e9fecture de Kumamoto, sur l’\u00eele de Ky\u016bsh\u016b. Il est \u00ab\u00a0Artiste potier\u00a0\u00bb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-25251","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nShinichi KOTSUJI \u5c0f\u8fbb\u771f\u4e00 - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Shinichi KOTSUJI est \u00e0 Iga, dans la pr\u00e9fecture de Mie. 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