{"id":19827,"date":"2023-07-13T10:22:30","date_gmt":"2023-07-13T08:22:30","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=19827"},"modified":"2025-11-07T19:26:58","modified_gmt":"2025-11-07T18:26:58","slug":"kazumasa-izuno","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/kazumasa-izuno\/","title":{"rendered":"Rencontre avec Kazumasa IZUNO \u4f0a\u8c46\u91ce\u4e00\u653f C\u00e9ramiste Japonais \u00e0 Sayama"},"content":{"rendered":"
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\"Kazumasa<\/figure>
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<\/p>\n\n\n\n

Kazumasa IZUNO et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1974-)<\/p>\n\n\n\n

Originaire de Tokyo, dans la pr\u00e9fecture de Tokyo. En 2010, il commence ses activit\u00e9s \u00e0 Minami-Azabu, arrondissement de Minato, dans la ville de Tokyo, puis en 2017, il d\u00e9m\u00e9nage \u00e0 Sayama, dans la pr\u00e9fecture de Saitama, au nord-ouest du centre de Tokyo.<\/p>\n\n\n\n

Il est Artiste c\u00e9ramiste \u9676\u82b8\u4f5c\u5bb6 pour l’intelligibilit\u00e9, la clart\u00e9 et la surprise. C’est \u00e0 l’\u00e2ge de 25 ans, qu’il a connu la c\u00e9ramique, apr\u00e8s avoir obtenu son dipl\u00f4me universitaire.<\/p>\n\n\n\n

\u00ab\u00a0J’ai pass\u00e9 mes journ\u00e9es d’\u00e9cole \u00e0 Ky\u014dto car j’avais des doutes sur le concept Tokyo\u00efte du SCRAP & BUILD<\/mark><\/a>. Au cours de mes \u00e9tudes, j’ai \u00e9tudi\u00e9 la th\u00e9orie du design et de l’art, qui \u00e9tait avant-gardiste \u00e0 l’\u00e9poque, dans un souci de diversit\u00e9. Dans ce prolongement, j’ai pu exprim\u00e9 mon art de la c\u00e9ramique.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0Je ne pense pas que la technique ou le savoir-faire en soi, soit si important. Je pense que ce qui est important, c’est ce que nos pr\u00e9d\u00e9cesseurs ont utilis\u00e9 pour s’exprimer par leurs techniques et leur savoir-faire. Cependant, il est certain que c’est un processus n\u00e9cessaire pour savoir ce que nos pr\u00e9d\u00e9cesseurs ont pens\u00e9 et exprim\u00e9.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Au Japon, il y a un mot Katayaburi \u578b\u7834\u308a (non conventionnel). C’est un mot qui exprime la r\u00e9v\u00e9rence, d\u00e9riv\u00e9e du monde du Kabuki. Ce n’est qu’apr\u00e8s avoir ma\u00eetris\u00e9 la forme de la danse que la forme peut \u00eatre bris\u00e9e. L’id\u00e9e est que vous pouvez mettre en valeur votre individualit\u00e9 et avancer vers de nouveaux terrains. Je crois que les traditions sont des moules qu’il faut briser.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Depuis la restauration Meiji \u660e\u6cbb\u6642\u4ee3 (1868-1912), le Japon a fait avancer rationnellement la modernisation de la ville et du pays sous le commandement du SCRAP & BUILD<\/mark><\/a>, centr\u00e9 sur Tokyo. Aujourd’hui, les infrastructures de vie, les routes, les chemins de fer, l’\u00e9ducation, les soins m\u00e9dicaux, les installations de communication. sont en place dans tous les coins du pays, ce qui en fait un pays paisible, s\u00fbr et pratique.\u00a0\u00bb<\/p>\n<\/div>

\"Kazumasa<\/figure><\/div>\n\n\n\n
\"Kazumasa<\/figure>
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<\/p>\n\n\n\n

\u00ab\u00a0D’un autre c\u00f4t\u00e9, il est \u00e9galement vrai que les coutumes, la culture, l’histoire et l’individualit\u00e9 locales uniques se sont estomp\u00e9es sous la vague de modernisation rapide. M\u00eame dans une telle situation au Japon, la ville de Ky\u014dto a habilement superpos\u00e9 l’histoire \u00e0 sa mani\u00e8re, pour \u00e9quilibrer les probl\u00e8mes d’ambivalence de l’histoire et de la modernisation, laissant une ville unique \u00e0 nos jours.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Dans notre vie quotidienne, nous avons de nombreuses occasions de voir des choses qui ont un large \u00e9ventail de valeurs allant du pr\u00e9sent au pass\u00e9. Parmi eux, les choses les plus int\u00e9ressantes \u00e9taient l’architecture des temples, les jardins paysagers secs et les ustensiles pour le th\u00e9.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Ce sont, comme les questionnements en philosophie : Qu’est-ce que le Zen ? Qu’est-ce que le Wabi-Sabi ? Qu’est-ce qu’une personne ? Quelle est la valeur des choses ? Je me sentais comme un outil d’expression qui pose des questions hors du temps. Cherchez ces r\u00e9ponses et aussi, r\u00e9apprendre les pens\u00e9es et les expressions cultiv\u00e9es dans le climat du Japon.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0J’ai \u00e9t\u00e9 apprenti chez le potier Sadamitsu SUGIMOTO<\/mark><\/a> \u6749\u672c\u8c9e\u5149 (1935-), qui est le Disciple de Tachibana Daiki Roshi du temple Daitoku-ji<\/mark><\/a> \u5927\u5fb3\u5bfa \u00e0 Ky\u014dto.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’ai \u00e9tabli mon style en examinant et analysant les intentions et les th\u00e8mes des objets et des techniques traditionnels. Je l’ai reconstruit et exprim\u00e9 selon l’\u00e9poque actuelle, et \u00e9tabli mon style en poursuivant le dialogue avec chacun.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Mon inspiration vient de la nature et de la foi. Non seulement les choses japonaises, mais aussi l’histoire et la culture. S’inspir\u00e9 de toutes les expressions. Les conversations avec des amis. Les voix des passants dans la ville. La musique et l’art. La cuisine. Les affaires men\u00e9es par une soci\u00e9t\u00e9. La vue sur la ville. Les livres : La pens\u00e9e Yin et Yang\u00a0\u00bb, \u00ab\u00a0Book of Tea\u00a0\u00bb de Kakuz\u014d OKAKURA \u5ca1\u5009\u5929\u5fc3, \u00ab\u00a0Spiritualit\u00e9 japonaise\u00a0\u00bb par Daisetz Teitaro Suzuki \u9234\u6728\u5927\u62d9 et \u00ab\u00a0R\u00e9flexions sur soi\u00a0\u00bb de Marc Aur\u00e8le. J’ai pu m’inspirer d’eux.\u00a0\u00bb<\/p>\n<\/div>

\"Grande<\/figure><\/div>\n\n\n\n
\"Kazumasa<\/figure>
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<\/p>\n\n\n\n

\u00ab\u00a0J’utilise un four \u00e9lectrique pour mes cuissons. En 1997, lorsque je vivais \u00e0 Ky\u014dto, la Conf\u00e9rence de Ky\u014dto sur la pr\u00e9vention du r\u00e9chauffement climatique a eu lieu et le Protocole de Ky\u014dto<\/mark><\/a> a \u00e9t\u00e9 sign\u00e9. Un accord international, pr\u00e9d\u00e9cesseur de l’Accord de Paris, \u00e9tait sign\u00e9 et que la r\u00e9duction du CO2 devenait un enjeu mondial. En 1999, durant mon apprentissage, on br\u00fblait du bois de chauffage de pin rouge dans un four anagama, 11 fois par ann\u00e9e.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Pour mes cuissons : la technique principale consiste en trois cuissons principales de 12 heures. La temp\u00e9rature de cuisson finale est de 1250 degr\u00e9s. Selon la saison, je r\u00e8gle la premi\u00e8re fois et la deuxi\u00e8me fois \u00e0 1210-1230 degr\u00e9s. D’autres choses sont cuites entre 1210-1240 degr\u00e9s une fois en 12 heures.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Vu que j’utilise un four \u00e9lectrique, il n’y a donc pas beaucoup de changements. J’ai l’impression que c’est proche du processus de la peinture. Je ne fais pas souvent la m\u00eame pi\u00e8ce. La plupart des \u0153uvres sont produites en fonction de la saison et du th\u00e8me de l’exposition.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0Mes couleurs sont bas\u00e9es sur la gla\u00e7ure introduite de la p\u00e9ninsule cor\u00e9enne, il y a 400 ans et une autre gla\u00e7ure d\u00e9velopp\u00e9e \u00e0 l’\u00e9poque d’Edo. Elles sont largement utilis\u00e9es en Asie et depuis l’Antiquit\u00e9 en Europe.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Au Japon, on dit que Dieu r\u00e9side en toutes choses \u65e5\u672c\u3067\u306f\u4e07\u7269\u306b\u795e\u304c\u5bbf\u308b\u3068\u8a00\u3044\u307e\u3059\u3002Afin de cuire sur Anagama comme vous le souhaitez et d’obtenir une poterie id\u00e9ale, le dialogue et l’\u00e9quilibre entre la personne qui cuit et tous les objets, sont n\u00e9cessaires. Le four, l’argile, le bois de chauffage, la flamme, la saison, le temps, la temp\u00e9rature, l’humidit\u00e9, la pression atmosph\u00e9rique, le temps, les phases de la lune et m\u00eame le flux et le reflux de la mar\u00e9e.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0\u00c0 l’origine, je pense que l’art de la c\u00e9ramique est une comp\u00e9tence qui peut \u00eatre atteinte avec la coop\u00e9ration de toutes choses et l’\u00e9quilibre entre elles. M\u00eame lors de l’utilisation d’un four \u00e9lectrique, ce savoir-faire est l’orientation de base.\u00a0\u00bb<\/p>\n<\/div>

\"Kazumasa<\/figure><\/div>\n\n\n\n
\"Kazumasa<\/figure>
\n

<\/p>\n\n\n\n

Kazumasa IZUNO en 5 dates importantes :<\/strong><\/h3>\n\n\n\n

2018 : Premi\u00e8re exposition personnelle d’\u0153uvres c\u00e9ramiques \u00e0 la Galerie Pakupakuan \u00e0 Tokyo.<\/p>\n\n\n\n

2018 : NEXT5 Hy\u014dgemono 2018 – Projet de collaboration NEXT5 \/ Kodansha \u00e0 Akita.<\/p>\n\n\n\n

2019 : KOGEI Art Fair Kanazawa – Pr\u00e9sentation des travaux d’installation \u00e0 Kanazawa.<\/p>\n\n\n\n

2019 : Exposition personnelle – Pr\u00e9sentation des travaux d’installation \u00e0 Isetan Shinjuku Main Building \u00e0 Tokyo.<\/p>\n\n\n\n

2023 : Exposition personnelle au Grand magasin Keio \u00e0 Tokyo.<\/p>\n\n\n\n

\u00ab\u00a0Mon travail est bas\u00e9 sur la th\u00e9orie, de la conception des armoiries familiales japonaises. Je s\u00e9lectionne des motifs de bon augure de la litt\u00e9rature classique et des pi\u00e8ces de th\u00e9\u00e2tre.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Source des photos et des textes : Kazumasa IZUNO et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Kazumasa IZUNO et ses cr\u00e9ations (1974-) Originaire de Tokyo, dans la pr\u00e9fecture de Tokyo. En 2010, il commence ses activit\u00e9s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-19827","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nKazumasa IZUNO \u4f0a\u8c46\u91ce\u4e00\u653f - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Kazumasa IZUNO est \u00e0 Sayama, pr\u00e9fecture de Saitama. 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