{"id":12505,"date":"2022-11-11T00:00:09","date_gmt":"2022-11-10T23:00:09","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=12505"},"modified":"2025-08-26T21:41:46","modified_gmt":"2025-08-26T19:41:46","slug":"satoshi-arakawa","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/satoshi-arakawa\/","title":{"rendered":"Rencontre avec Satoshi ARAKAWA \u8352\u5ddd\u667a C\u00e9ramiste japonais \u00e0 Shigaraki"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Satoshi<\/figure>
\n

<\/p>\n\n\n\n

Satoshi ARAKAWA et <\/mark>ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1971-)<\/p>\n\n\n\n

Satoshi ARAKAWA est originaire de la ville de Shinj\u014d, pr\u00e9fecture de Yamagata, dans la r\u00e9gion du T\u014dhoku au Japon. ARAKAWA san est Artiste c\u00e9ramiste \u9676\u82b8\u5bb6 et membre r\u00e9gulier de la Japan K\u014dgei Association<\/mark><\/a>, association avec le plus haut niveau de savoir-faire au Japon. Il est \u00e9galement Membre de Shigaraki T\u014dy\u014dkai, Membre de Shigaraki T\u014dsh\u014dkai et Membre de Shigaraki Ceramic Artists Association.<\/p>\n\n\n\n

Son atelier est bas\u00e9 \u00e0 Shigaraki \u4fe1\u697d\u753a, bourg japonais du district de K\u014dka, dans la pr\u00e9fecture de Shiga. Il a fusionn\u00e9 en 2004 avec les bourgs de K\u014dka, K\u014dnan, Minakuchi et Tsuchiyama pour former la ville de K\u014dka.<\/p>\n\n\n\n

La ville est c\u00e9l\u00e8bre pour sa poterie rustique et puissante. Le nom de la c\u00e9ramique est Shigaraki-yaki<\/mark><\/a>, elle fait partie des 6 Anciens Fours Japonais.<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

Il a d\u00e9couvert la c\u00e9ramique apr\u00e8s le lyc\u00e9e. \u00ab\u00a0Au d\u00e9but, je voulais faire carri\u00e8re dans la cuisine, mais je me suis int\u00e9ress\u00e9e aux plats de service et j’ai voulu essayer de les faire moi-m\u00eame. Pendant ce temps, j’ai rencontr\u00e9 Shir\u014d \u014cTANI \u5927\u8c37\u53f8\u6717 (1936-), un potier qui cuit au four \u00e0 bois, \u00e0 Shigaraki. J’ai \u00e9t\u00e9 impressionn\u00e9 par les \u0153uvres qui sont n\u00e9es de son four alors j’ai commenc\u00e9 \u00e0 \u00e9tudier avec lui.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Mon style de c\u00e9ramique s’est \u00e9tabli pendant mes 5 ann\u00e9es de formation, j’ai appris, appris, appris. Mon inspiration vient de l’Univers, de la Vie et des Forces de la Nature.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’utilise 2 types de Fours : Four \u00e0 bois – Makigama \u85aa\u7aaf (2 cuissons par an, pendant 5 jours \u00e0 1300\u00b0C) et Four \u00e0 k\u00e9ros\u00e8ne – T\u014dyugama \u706f\u6cb9\u7aaf (4 cuissons par mois, pendant 20h \u00e0 1250\u00b0C).\u00a0\u00bb<\/p>\n\n\n\n

Le four \u00e0 bois est principalement utilis\u00e9 pour les travaux de cuisson et il peut produire des couleurs inattendues. En effet, vous pouvez cr\u00e9er des \u0153uvres qui ne peuvent \u00eatre r\u00e9alis\u00e9es que dans un four \u00e0 bois.<\/p>\n<\/div>

\"Satoshi<\/figure><\/div>\n\n\n\n
\"Satoshi<\/figure>
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<\/p>\n\n\n\n

Dans ce cas, il essaie de ne pas faire le m\u00eame travail. Il veut toujours que de nouvelles \u0153uvres soient vues lors des expositions. Sinon le four \u00e0 k\u00e9ros\u00e8ne est utilis\u00e9 pour fixer la gla\u00e7ure et cuire les Utsuwa de tous les jours.<\/p>\n\n\n\n

Le pin rouge du Japon – Akamatsu \u8d64\u677e est le bois utilis\u00e9 pour la cuisson car la flamme est puissante et il est bon pour contr\u00f4ler la temp\u00e9rature. La gla\u00e7ure est naturelle \u00e0 la cendre de pin et \u00e0 la cendre de paille.<\/p>\n\n\n\n

\u00ab\u00a0L’artisanat et le savoir-faire sont \u00e9tablis depuis longtemps en les transmettant de personne \u00e0 personne. J’ai aussi appris en regardant la technique du ma\u00eetre et son comportement dans la r\u00e9alisation de ses \u0153uvres. La sensibilit\u00e9 et les sensations ne s’enseignent pas, mais elles doivent \u00eatre ressenties. S’il y a une opportunit\u00e9, je pense que je dois aussi le transmettre \u00e0 quelqu’un. L’argile ne devient poterie que si elle est cuite. L’argile de Shigaraki a une r\u00e9sistance au feu particuli\u00e8rement \u00e9lev\u00e9e et doit \u00eatre cuite \u00e0 haute temp\u00e9rature pendant longtemps.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0En cons\u00e9quence, les \u0153uvres avec de la gla\u00e7ure naturelle, les changements dans le four et les couleurs du feu, l’ensemble cr\u00e9e une poterie unique. La poterie au four \u00e0 bois de Shigaraki est une poterie n\u00e9e de la n\u00e9cessit\u00e9 de cuire l’argile.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Shigaraki a une longue histoire de production de poterie et de nombreux chefs-d’\u0153uvre ont \u00e9t\u00e9 cr\u00e9\u00e9s \u00e0 l’aide de fours \u00e0 bois. Je produis actuellement de la poterie Yakishime (poterie non \u00e9maill\u00e9e) dans mon propre four \u00e0 bois tout en perp\u00e9tuant l’ancienne tradition. La plupart des travaux de poterie actuels sont cuits dans des fours \u00e0 gaz ou \u00e9lectriques. Je crois que les \u0153uvres Yakishime cuites dans un four \u00e0 bois ont un charme que l’on ne retrouve pas ailleurs.\u00a0\u00bb<\/p>\n\n\n\n

L’attrait du four \u00e0 bois est la couleur du feu qui sort de la forte flamme du pin rouge. Le vidro de cendre qui fond et coule, la mousse, les changements dans le four et les pierres du sol rugueux qui sont uniques \u00e0 Shigaraki. C’est une \u0153uvre de d\u00e9cor qui rappelle \u00ab l’univers, la nature, la vie \u00bb o\u00f9 il n’y a rien.<\/p>\n<\/div>

\"Satoshi<\/figure><\/div>\n\n\n\n
\"\"<\/figure>
\n

<\/p>\n\n\n\n

\u00ab\u00a0Chaque fois que je fais une \u0153uvre, je d\u00e9cide du th\u00e8me pour chaque four et je la r\u00e9alise. Apr\u00e8s s\u00e9chage, je r\u00e9fl\u00e9chis au type de d\u00e9cor (design) que je souhaite cuire, ensuite je l’installe dans le four et la fait cuire dans un four \u00e0 bois pendant 5 jours \u00e0 haute temp\u00e9rature (environ 1300\u00b0C). Pendant ce temps, les cendres du bois sont saupoudr\u00e9es sur l’ouvrage, ou enfouies dans les cendres. La cuisson dans un four \u00e0 bois est difficile et parfois cela ne se passe pas \u00e0 100% comme je m’y attendais. Je pense que les surprises fortuites qui en d\u00e9coulent sont aussi un des charmes du four \u00e0 bois.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0D\u00e9sormais, nous continuerons \u00e0 interagir avec l’argile brute de Shigaraki pour cr\u00e9er des formes, br\u00fbler du bois de chauffage et lutter contre les flammes, nous consacrer \u00e0 la poursuite de ce m\u00e9tier et profiter du charme du four \u00e0 bois de Shigaraki. Je continuerais \u00e0 cr\u00e9er une \u0153uvre attrayante qui vous fasse sentir le plaisir et la jouissance.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Satoshi ARAKAWA en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1992 : Entr\u00e9 dans une entreprise de poterie \u00e0 Shigaraki avec des aspirations de potier.<\/p>\n\n\n\n

1997 : A \u00e9tudi\u00e9 avec Shir\u014d \u014cTANI \u5927\u8c37\u53f8\u6717 (1936-) \u00e0 Shigaraki.<\/p>\n\n\n\n

2007 : S\u00e9lectionn\u00e9 pour la premi\u00e8re fois, pour la 54\u00e8me exposition d’artisanat d’art traditionnel du Japon. S\u00e9lectionn\u00e9 pour les 59\u00e8me et 60\u00e8me fois depuis qu’il est devenu membre associ\u00e9 de la Japan K\u014dgei Association.<\/p>\n\n\n\n

2010 : A re\u00e7u le 21\u00e8me prix du Fonds culturel Shumei.<\/p>\n\n\n\n

2020 : S\u00e9lectionn\u00e9 pour la 67\u00e8me exposition d’artisanat traditionnel du Japon. Certifi\u00e9 en tant que membre \u00e0 part enti\u00e8re de l’Association japonaise K\u014dgei.<\/p>\n<\/div>

\"Satoshi<\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n

Source des photos et des textes : Satoshi ARAKAWA et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Satoshi ARAKAWA et ses cr\u00e9ations (1971-) Satoshi ARAKAWA est originaire de la ville de Shinj\u014d, pr\u00e9fecture de Yamagata, dans la […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-12505","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nSatoshi ARAKAWA \u8352\u5ddd\u667a - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Satoshi ARAKAWA est \u00e0 K\u014dka, pr\u00e9fecture de Shiga, au Japon. 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