{"id":10165,"date":"2022-10-05T22:45:33","date_gmt":"2022-10-05T20:45:33","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=10165"},"modified":"2025-08-11T23:40:26","modified_gmt":"2025-08-11T21:40:26","slug":"annie-metzger","status":"publish","type":"post","link":"https:\/\/www.maisonwabisabi.com\/en\/annie-metzger\/","title":{"rendered":"Rencontre avec Annie METZGER C\u00e9ramiste fran\u00e7aise \u00e0 Paris"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Annie<\/figure>
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<\/p>\n\n\n\n

Annie METZGER et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1955-)<\/p>\n\n\n\n

Originaire de Paris, en France. Elle a fait une formation mode \u00e0 l’\u00e9cole des Arts Appliqu\u00e9s Duperr\u00e9 Paris<\/mark><\/a>, puis elle a travaill\u00e9 dans diff\u00e9rents secteurs de la mode pendant 13 ans. Ensuite, elle est partie \u00e0 Tokyo pour enseigner \u00e0 l’\u00e9cole Esmod Japon<\/mark><\/a> \u00e0 Tokyo. C’est l\u00e0 qu’elle a fait connaissance avec la c\u00e9ramique japonaise, apprise \u00e0 Tokyo et dans diff\u00e9rentes villes japonaises.<\/p>\n\n\n\n

Elle se d\u00e9finie comme c\u00e9ramiste. Cela lui semble correspondre aux 3 facettes principales de ce m\u00e9tier : le travail de la terre ,le travail des \u00e9maux et le travail de cuisson.<\/p>\n\n\n\n

\u00ab\u00a0J’ai d\u00e9couvert pour la premi\u00e8re fois la c\u00e9ramique vers 10 ans environ. C’\u00e9tait dans un chantier \u00e0 cot\u00e9 de chez moi (le p\u00e9riph\u00e9rique parisien \u00e9tait en construction) et le sol \u00e9tait \u00e9ventr\u00e9. Il y avait de la glaise.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

\u00ab\u00a0J’ai fabriqu\u00e9 mes premier bols que j’ai peint \u00e0 la gouache. J’ai utilis\u00e9 aussi, petite chez ma grand m\u00e8re, une tasse en porcelaine blanche tr\u00e8s fine, fragile, d\u00e9cor\u00e9e en rouge de dessin de femme en kimono et de temples. L’ inscription au dos \u00ab Made in Japan\u00bb, n’avaient \u00e0 l’\u00e9poque aucun sens pour moi.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0J’ai commenc\u00e9 par des cours de sculpture avec Viviane AMBRE<\/mark><\/a> \u00e0 Paris, qui m’a pr\u00e9sent\u00e9 Catherine MONTHUL\u00c9<\/mark><\/a>, install\u00e9e en Normandie chez qui j’ai fait un stage de tournage et d’\u00e9maillage cuit au gaz. \u00c0 cette occasion, elle m’a montr\u00e9 un livre sur le Raku japonais.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Au Japon, on m’a enseign\u00e9 le modelage \u00e0 Tokyo dans l’atelier de Sh\u016b MOCHIZUKI<\/mark><\/a> et le tournage \u00e0 Seto<\/mark><\/a> et \u00e0 Bizen<\/mark><\/a>. Les cours sur la chimie des \u00e9maux haute temp\u00e9rature avec H\u00e9l\u00e9na KLUG<\/mark><\/a> en utilisant la m\u00e9thode de Daniel de Montmollin<\/mark><\/a>. H\u00e9l\u00e9na a elle m\u00eame appris avec Bernard LEACH<\/mark><\/a>. Un perfectionnement au tournage \u00e0 la japonaise avec Diana BERRIER qui a v\u00e9cu au Japon et a \u00e9t\u00e9 form\u00e9e par le Ma\u00eetre Akira \u00ab\u00a0Kei\u00a0\u00bb TANIMOTO \u8c37\u672c\u666f. Au Japon, on tourne dans le sens des aiguilles d’une montre. Enfin avec Eug\u00e9nie CR\u00c9TINON<\/mark><\/a> qui est une de mes anciennes \u00e9l\u00e8ves, j’ai appris le Kintsugi.\u00a0\u00bb<\/p>\n<\/div>

\"Annie<\/figure><\/div>\n\n\n\n
\"Annie<\/figure>
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<\/p>\n\n\n\n

\u00ab\u00a0Je suis influenc\u00e9 par l’esth\u00e9tique japonaise, m\u00eame si je m’inspire d’un tableau ou d’un paysage, j’ai l’impression qu’il y a toujours un peu de Japon dans mes cr\u00e9ations.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Mes inspirations viennent du monde qui m’entoure et des livres. Mais aussi des peintres comme Rothko et Pollock pour le d\u00e9cor, de Jean GIREL<\/mark><\/a> pour ses \u00e9maux, Lucie RIE<\/mark><\/a> et Alev SIESBYE<\/mark><\/a> pour la puret\u00e9 des formes, Sh\u014dji HAMADA<\/mark><\/a> \u6ff1\u7530\u5e84\u53f8 et Bernard LEACH<\/mark><\/a> comme r\u00e9f\u00e9rence de base et Young-Jae-Lee<\/mark><\/a> pour l’ensemble de son travail.\u00a0\u00bb<\/p>\n\n\n\n

Elle utilise un four un Four \u00e9lectrique \u00e0 Paris et un Four \u00e0 gaz \u00e0 la campagne. Le four \u00e9lectrique est pratique et simple \u00e0 utiliser. En faisant ses propres \u00e9maux, on obtient de bons r\u00e9sultats reproductibles facilement. Avec le Four \u00e0 gaz, la texture des \u00e9maux est soyeuse et douce. On peut aussi avoir des textures brutes se confondant avec la nature.<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

Ses cuissons durent de 8h \u00e0 12h en \u00e9lectrique et de 12h \u00e0 15h au gaz. Elle fabrique tous ses \u00e9maux hautes temp\u00e9ratures. Elle teste de nouvelles recherches \u00e0 chaque cuisson car le processus de mise au point prend plusieurs ann\u00e9es.<\/p>\n\n\n\n

\u00ab\u00a0Les formes de mes c\u00e9ramiques se retrouvent, mais par contre quand je suis lass\u00e9 d’un \u00e9mail, je cherche autre chose.<\/p>\n\n\n\n

Une exposition de c\u00e9ramique ou de peinture va me donner une id\u00e9e. La saison aussi influence mon choix de couleurs ainsi qu’un voyage. Les ailes de raie \u00e0 l’aquarium d’Okinawa<\/mark><\/a>, le blanc de la peau du poisson et la bordure noire. J’ai recherch\u00e9 \u00e0 reproduire cet effet sur le bord de mes bols.<\/p>\n\n\n\n

L’\u00e9mail ce n’est pas seulement une couleur mais aussi une mati\u00e8re, une \u00e9motion, un paysage, un souvenir. Je suis all\u00e9e \u00e0 Ishigaki<\/mark><\/a>, en 2019. C’est un \u00e9mail transparent et vivant comme de l’eau, qui laisse voir la terre et ses asp\u00e9rit\u00e9s qui occupe mes recherches actuelles.\u00a0\u00bb<\/p>\n<\/div>

\"Annie<\/figure><\/div>\n\n\n\n
\"Annie<\/figure>
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<\/p>\n\n\n\n

\u00ab\u00a0Je donne des cours de groupe de 8 personnes, modelage, plaque et tour. Je fais aussi un stage d\u2019initiation aux \u00e9maux hautes temp\u00e9ratures par an, assist\u00e9e par ma fille, Suzanne METZGER-KRETZ<\/mark>.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0Mes professeurs m’ont tellement donn\u00e9 ! Je veux transmettre \u00e0 mon tour ,et surtout \u00e0 ma fille Suzanne qui \u00e0 choisi aussi ce chemin. J’apporte aussi une esth\u00e9tique japonaise dans mes cours, tr\u00e8s diff\u00e9rente de la vision occidentale comme le travail de la forme par l\u2019int\u00e9rieur, le tournage \u00e0 la motte et l’utilisation de certains outils. Et je dis \u00e0 mes \u00e9l\u00e8ves que l’on ne cherche pas la perfection mais l’\u00e9quilibre d’une pi\u00e8ce.\u00a0\u00bb<\/p>\n\n\n\n

\u00ab\u00a0C’est mon s\u00e9jour au Japon qui m’a men\u00e9 vers la c\u00e9ramique car j’ai eu un gros choc \u00e9motionnel, culturel et esth\u00e9tique quand j’ai atterri dans ce pays. J’ai eu l’impression d\u2019\u00eatre sur une autre plan\u00e8te, c’est pourquoi j’ai baptis\u00e9 l’atelier \u00ab Terre de Lune \u00bb. J’adore cette phrase, c’est tellement ce que j’ai ressenti. \u00abLe Japon est la plan\u00e8te habit\u00e9e la plus proche de la Terre\u00bb – \u00c9ric FAYE – Fen\u00eatre sur le Japon<\/mark><\/a><\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Annie METZGER en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1990 : Rencontre avec Vivianne AMBRE et avec Catherine MONTHUL\u00c9<\/p>\n\n\n\n

1991 : 1er voyage au Japon<\/p>\n\n\n\n

1995 : Rencontre avec H\u00e9l\u00e9na KLUG et Diana BERRIER<\/p>\n\n\n\n

1996 : Cr\u00e9ation de l’atelier \u00ab Terre de Lune \u00bb<\/p>\n\n\n\n

2010 : Cr\u00e9ation d’un 2\u00e8me atelier dans le Lot \u00e9quip\u00e9 d’un Four \u00e0 gaz.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00ab\u00a0La c\u00e9ramique, c’est mon travail, c’est ma passion et c’est dans mon quotidien, il n’y a pas de fronti\u00e8re .\u00a0\u00bb<\/p>\n<\/div>

\"Annie<\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n
\"Annie
Annie METZGER et sa fille Suzanne KRETZ – \u00e0 Bizen en 2001<\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Source des photos et des textes : Annie METZGER et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Annie METZGER et ses cr\u00e9ations (1955-) Originaire de Paris, en France. Elle a fait une formation mode \u00e0 l’\u00e9cole des […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-10165","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nAnnie METZGER - Maison Wabi-Sabi - C\u00e9ramistes<\/title>\n<meta name=\"description\" content=\"Annie METZGER est une \u00e0 Paris, en France. 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