{"id":39442,"date":"2026-02-19T18:52:08","date_gmt":"2026-02-19T17:52:08","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=39442"},"modified":"2026-06-04T12:48:51","modified_gmt":"2026-06-04T10:48:51","slug":"koji-setoguchi","status":"publish","type":"post","link":"http:\/\/www.maisonwabisabi.com\/en\/koji-setoguchi\/","title":{"rendered":"Rencontre avec Koji SETOGUCHI \u702c\u6238\u53e3\u6667\u55e3 C\u00e9ramiste japonais \u00e0 \u014ckawachiyama"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Koji<\/figure>
\n

<\/p>\n\n\n\n

Koji SETOGUCHI et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1958-)<\/p>\n\n\n\n

Sp\u00e9cialis\u00e9 dans la production de porcelaines de style Imari-Nabeshima. Il se situe \u00e0 Imari, dans la pr\u00e9fecture de Saga, une r\u00e9gion historiquement associ\u00e9e \u00e0 la naissance de la porcelaine japonaise. L\u2019atelier a \u00e9t\u00e9 fond\u00e9 en 1924 par Heiji SETOGUCHI et perp\u00e9tue depuis lors un savoir-faire transmis de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration. Durant la Seconde Guerre mondiale, le four participa \u00e0 la production collective de braseros, avant de se tourner vers la fabrication de figurines et d\u2019objets d\u00e9coratifs apr\u00e8s 1951.<\/p>\n\n\n\n

L\u2019entreprise poursuit cette tradition artisanale en combinant techniques historiques et sensibilit\u00e9 contemporaine. L\u2019objectif de l\u2019atelier est de cr\u00e9er des pi\u00e8ces qui enrichissent la vie quotidienne tout en pr\u00e9servant l\u2019esth\u00e9tique raffin\u00e9e de la c\u00e9ramique japonaise traditionnelle. Cette continuit\u00e9 entre h\u00e9ritage et innovation constitue l\u2019une des caract\u00e9ristiques majeures de l\u2019identit\u00e9 de Sehy\u014d-gama.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Le travail de Sehy\u014dgama s\u2019inscrit dans la tradition de la porcelaine Imari Nabeshima, r\u00e9put\u00e9e pour sa finesse et la qualit\u00e9 de ses d\u00e9corations peintes \u00e0 la main. Chaque pi\u00e8ce est r\u00e9alis\u00e9e avec une grande pr\u00e9cision par des artisans qui ma\u00eetrisent les techniques traditionnelles de fa\u00e7onnage, de gla\u00e7ure et de d\u00e9coration.<\/p>\n\n\n\n

L\u2019atelier met notamment l\u2019accent sur la beaut\u00e9 naturelle des mat\u00e9riaux et sur l\u2019harmonie avec l\u2019environnement. Pour obtenir la blancheur caract\u00e9ristique de la porcelaine d\u2019Imari, les artisans utilisent parfois des mati\u00e8res premi\u00e8res volontairement peu raffin\u00e9es afin de conserver des nuances naturelles dans la texture et la couleur.<\/p>\n\n\n\n

Cette approche t\u00e9moigne d\u2019une philosophie de fabrication qui valorise la nature et les qualit\u00e9s intrins\u00e8ques des mat\u00e9riaux. \u00c0 travers cette d\u00e9marche, Sehy\u014dgama cherche \u00e0 produire des objets \u00e0 la fois esth\u00e9tiques, durables et profond\u00e9ment ancr\u00e9s dans la culture artisanale japonaise.<\/p>\n<\/div>

\"Atelier<\/figure><\/div>\n\n\n\n
\"Atelier<\/figure>
\n

<\/p>\n\n\n\n

L\u2019atelier s\u2019efforce d\u2019adapter ce patrimoine artistique aux usages contemporains. Les cr\u00e9ations de Sehy\u014dgama incluent aujourd\u2019hui des objets de table, des accessoires ou encore des collections modernes, comme la s\u00e9rie \u00ab Hakemaki \u00bb.<\/p>\n\n\n\n

Cette collection se distingue par une technique de d\u00e9coration r\u00e9alis\u00e9e au pinceau, qui laisse appara\u00eetre des traces dynamiques de gla\u00e7ure et offre une large palette de couleurs, allant du c\u00e9ladon au violet ou au platine. Les pi\u00e8ces sont \u00e9galement con\u00e7ues pour \u00eatre l\u00e9g\u00e8res et adapt\u00e9es \u00e0 un usage quotidien, ce qui illustre la volont\u00e9 de l\u2019atelier de rendre la c\u00e9ramique traditionnelle accessible dans la vie moderne.<\/p>\n\n\n\n

En conciliant tradition, design contemporain et respect de la nature, Sehy\u014d-gama participe ainsi \u00e0 la transmission et au renouvellement de l\u2019art de la porcelaine japonaise.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Koji SETOGUCHI\u00a0en 4 dates importantes :<\/strong><\/mark><\/h3>\n\n\n\n

1924<\/strong> : Fondation du four Sehy\u014dgama par Heiji SETOGUCHI (\u702c\u6238\u53e3\u5175\u6b21) \u00e0 Imari, dans la pr\u00e9fecture de Saga. Marque le d\u00e9but de l\u2019atelier et de sa production de porcelaines dans la tradition d\u2019Imari-Nabeshima.<\/p>\n\n\n\n

Ann\u00e9es 1940<\/strong> : Pendant la guerre, le four participe \u00e0 la production collective de braseros (Hibachi) avec d\u2019autres ateliers, afin de r\u00e9pondre aux besoins domestiques et aux contraintes \u00e9conomiques de l\u2019\u00e9poque.<\/p>\n\n\n\n

1951<\/strong> : Apr\u00e8s la guerre, il se r\u00e9oriente vers la fabrication de figurines Karako (\u5510\u5b50), des repr\u00e9sentations d\u2019enfants chinois tr\u00e8s populaires dans la c\u00e9ramique japonaise. Contribue \u00e0 la relance de l\u2019atelier.<\/p>\n\n\n\n

1963<\/strong> : Cr\u00e9ation officielle de la soci\u00e9t\u00e9 Sehyo Co., Ltd. (\u682a\u5f0f\u4f1a\u793e\u702c\u5175), ce qui marque la structuration de l\u2019atelier en entreprise d\u00e9di\u00e9e \u00e0 la fabrication et \u00e0 la vente de c\u00e9ramiques.<\/p>\n<\/div>

\"Atelier<\/figure><\/div>\n\n\n\n

Source des photos et des textes : Koji SETOGUCHI et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Koji SETOGUCHI et ses cr\u00e9ations (1958-) Sp\u00e9cialis\u00e9 dans la production de porcelaines de style Imari-Nabeshima. Il se situe \u00e0 Imari, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-39442","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nKoji SETOGUCHI - Maison Wabi-Sabi - C\u00e9ramiste<\/title>\n<meta name=\"description\" content=\"Koji SETOGUCHI \u702c\u6238\u53e3\u6667\u55e3 est \u00e0 \u014ckawachiyama, Saga-ken, sur Ky\u016bsh\u016b. 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