{"id":39127,"date":"2026-02-08T22:39:35","date_gmt":"2026-02-08T21:39:35","guid":{"rendered":"https:\/\/www.maisonwabisabi.com\/?p=39127"},"modified":"2026-02-25T22:11:22","modified_gmt":"2026-02-25T21:11:22","slug":"kazuma-yamamoto","status":"publish","type":"post","link":"http:\/\/www.maisonwabisabi.com\/en\/kazuma-yamamoto\/","title":{"rendered":"Rencontre avec Kazuma YAMAMOTO \u5c71\u5143\u4e00\u771f C\u00e9ramiste japonais \u00e0 Kusatsu"},"content":{"rendered":"
<\/div>\n\n\n\n
\"Kazuma<\/figure>
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<\/p>\n\n\n\n

Kazuma YAMAMOTO et<\/mark> ses cr\u00e9ations<\/a><\/strong><\/h2>\n\n\n\n

(1992-)<\/p>\n\n\n\n

Originaire de Kusatsu, dans la pr\u00e9fecture de Shiga. Form\u00e9 \u00e0 Ky\u014dto, il revient ensuite travailler dans l\u2019atelier familial, le \u014cmi Ceramic Research Institute, fond\u00e9 par son p\u00e8re. Son travail s\u2019inscrit dans une volont\u00e9 de redonner une identit\u00e9 contemporaine \u00e0 la c\u00e9ramique locale de Kusatsu, parfois d\u00e9sign\u00e9e sous le nom de \u00ab Kusatsu-yaki \u00bb.<\/p>\n\n\n\n

Il privil\u00e9gie l\u2019utilisation d\u2019argiles extraites dans la r\u00e9gion, qu\u2019il transforme en pi\u00e8ces utilitaires destin\u00e9es \u00e0 la vie quotidienne : bols, tasses, assiettes et th\u00e9i\u00e8res. Son approche met en valeur la mati\u00e8re brute, les textures naturelles et les nuances terreuses issues de la cuisson.<\/p>\n\n\n\n

Les surfaces conservent souvent une sobri\u00e9t\u00e9 volontaire, laissant appara\u00eetre la richesse du sol local et la profondeur chromatique obtenue par le feu. Cette fid\u00e9lit\u00e9 au territoire constitue le c\u0153ur de sa recherche esth\u00e9tique.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\u014cmi Ceramic Research Institute (\u6de1\u6d77\u9676\u82b8\u7814\u7a76\u6240) est un atelier et four de poterie situ\u00e9 \u00e0 Kusatsu, dans la pr\u00e9fecture de Shiga, au c\u0153ur d\u2019un quartier r\u00e9sidentiel paisible reconnu comme secteur artisanal de la ville. <\/p>\n\n\n\n

D\u00e9di\u00e9 \u00e0 la production et \u00e0 la diffusion du Kusatsu-yaki, il valorise une c\u00e9ramique locale fa\u00e7onn\u00e9e \u00e0 partir d\u2019une argile limoneuse appel\u00e9e Seta Shilt, extraite dans les environs. Cette terre permet d\u2019obtenir des pi\u00e8ces l\u00e9g\u00e8res, dures et r\u00e9sistantes, adapt\u00e9es \u00e0 un usage quotidien, y compris au micro-ondes.<\/p>\n\n\n\n

L\u2019institut est dirig\u00e9 par le c\u00e9ramiste Yoshinobu YAMAMOTO \u5c71\u5143\u7fa9\u5ba3<\/strong>, assist\u00e9 de son fils Kazuma YAMAMOTO \u5c71\u5143\u4e00\u771f, et d\u00e9veloppe une esth\u00e9tique sobre et contemporaine en accord avec la vie moderne. <\/p>\n\n\n\n

Certaines s\u00e9ries int\u00e8grent la technique du Haku-dei (\u767d\u6ce5), consistant \u00e0 appliquer une couche d\u2019argile blanche purifi\u00e9e, pauvre en fer, sous une couverte transparente, produisant une surface lumineuse et douce au toucher. L\u2019atelier propose \u00e9galement des cours et exp\u00e9riences de poterie accessibles aux d\u00e9butants.<\/p>\n<\/div>

\"Kazuma<\/figure><\/div>\n\n\n\n
\"Kazuma<\/figure>
\n

<\/p>\n\n\n\n

Le travail de Kazuma se distingue par une attention particuli\u00e8re port\u00e9e \u00e0 l\u2019usage et \u00e0 la relation entre l\u2019objet et la main. Il accorde une grande importance au poids, \u00e0 l\u2019\u00e9quilibre et \u00e0 la sensation tactile de chaque pi\u00e8ce, consid\u00e9rant que la beaut\u00e9 d\u2019un r\u00e9cipient se r\u00e9v\u00e8le pleinement dans son utilisation quotidienne.<\/p>\n\n\n\n

Il explore \u00e9galement des variations de surface par superposition de terres ou par des effets subtils de cuisson, cr\u00e9ant des contrastes d\u00e9licats sans recourir \u00e0 des gla\u00e7ures spectaculaires.<\/p>\n\n\n\n

L\u2019influence de l\u2019histoire ancienne de la r\u00e9gion d\u2019\u014cmi, marqu\u00e9e par la production de gr\u00e8s depuis l\u2019\u00e9poque m\u00e9di\u00e9vale, nourrit sa r\u00e9flexion sans pour autant l\u2019enfermer dans une d\u00e9marche strictement traditionnelle. <\/p>\n\n\n\n

Son esth\u00e9tique conjugue ainsi m\u00e9moire locale et sensibilit\u00e9 contemporaine, dans une recherche d\u2019authenticit\u00e9 sobre et fonctionnelle. \u00c0 travers ses formes \u00e9pur\u00e9es, il affirme une vision de la c\u00e9ramique comme compagnon silencieux du quotidien.<\/p>\n<\/div><\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

Kazuma YAMAMOTO<\/strong> en 5 dates importantes :<\/mark><\/strong><\/h3>\n\n\n\n

1985<\/strong> : Fondation de l\u2019\u014cmi Ceramic Research Institute (\u6de1\u6d77\u9676\u82b8\u7814\u7a76\u6240) par son p\u00e8re, Yoshinobu YAMAMOTO, cadre dans lequel il d\u00e9veloppera plus tard sa pratique.<\/p>\n\n\n\n

D\u00e9but des ann\u00e9es 2010<\/strong> : Formation en c\u00e9ramique \u00e0 Ky\u014dto, o\u00f9 il approfondit les techniques du tournage et l\u2019\u00e9tude des mat\u00e9riaux.<\/p>\n\n\n\n

Milieu des ann\u00e9es 2010<\/strong> : Retour \u00e0 Kusatsu et int\u00e9gration active \u00e0 l\u2019atelier familial, avec le d\u00e9veloppement de ses premi\u00e8res s\u00e9ries personnelles en Kusatsu-yaki.<\/p>\n\n\n\n

2019<\/strong> : S\u00e9lection au label \u00ab Kusatsu Brand \u00bb, reconnaissant la valeur artisanale et culturelle de son travail.<\/p>\n\n\n\n

Ann\u00e9es 2020<\/strong> : Nomination comme vice-directeur de l\u2019Institut, affirmant son r\u00f4le dans la transmission et l\u2019\u00e9volution contemporaine de la c\u00e9ramique locale.<\/p>\n<\/div>

\"Kazuma<\/figure><\/div>\n\n\n\n

Source des photos et des textes : Kazuma YAMAMOTO et Yann san<\/p>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Kazuma YAMAMOTO et ses cr\u00e9ations (1992-) Originaire de Kusatsu, dans la pr\u00e9fecture de Shiga. Form\u00e9 \u00e0 Ky\u014dto, il revient ensuite […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[76],"tags":[],"class_list":["post-39127","post","type-post","status-publish","format-standard","hentry","category-ceramistes"],"yoast_head":"\nKazuma YAMAMOTO - Maison Wabi-Sabi - C\u00e9ramiste<\/title>\n<meta name=\"description\" content=\"Kazuma YAMAMOTO \u5c71\u5143\u4e00\u771f est \u00e0 Kusatsu, pr\u00e9fecture de Shiga, sur Honsh\u016b. 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